{"title":"01\/08\/25","description":"","products":[{"product_id":"ryuichi-sakamoto-music-for-film","title":"Music For Film","description":"From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto.\n\u003cp\u003eThis is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer\/pianist\/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eThis compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: June 2023\u003cbr\u003eCat: SILLP1524YB\u003cbr\u003eLabel: Silva Screen Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/y3qpHrqhqa4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA Side\u003cbr\u003e1. Merry Christmas Mr. Lawrence Main Theme (From Merry Christmas Mr. Lawrence)\u003cbr\u003e2. Endroll (From The Last Emperor)\u003cbr\u003e3. Rain (From The Last Emperor)\u003cbr\u003e\u003cbr\u003eB Side\u003cbr\u003e1. The Sheltering Sky Main Theme (From The Sheltering Sky)\u003cbr\u003e2. High Heels Main Theme (From High Heels)\u003cbr\u003e3. Wild Palms Main Theme (From Wild Palms)\u003cbr\u003e\u003cbr\u003eC Side\u003cbr\u003e1. Acceptance (From Little Buddha)\u003cbr\u003e2. Snake Eyes Main Theme (long version) (From Snake Eyes)\u003cbr\u003e3. Bolerisch (From Femme Fatale)\u003cbr\u003e\u003cbr\u003eD Side\u003cbr\u003e1. Bibo No Aozora (From Babel)\u003cbr\u003e2. Small Hope (From Hara-Kiri (Ichimei))\u003cbr\u003e3. Yae No Sakura Opening Theme (From Yae No Sakura)\u003cbr\u003e4. The Revenant Main Theme (From The Revenant)\u003c\/p\u003e","brand":"Ryuichi Sakamoto","offers":[{"title":"2LP-Amber \u0026 Black","offer_id":55302088163714,"sku":"01\/08\/25-DISLAF","price":43.0,"currency_code":"GBP","in_stock":false},{"title":"2LP-Yellow \u0026 Black","offer_id":40146171986022,"sku":"16\/06\/23-DISLAF","price":39.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/162444-ryuichi-sakamoto-performed-by-brussels-music-for-film.jpg?v=1685188731"},{"product_id":"daniel-blumberg-the-brutalist-original-motion-picture-soundtrack","title":"The Brutalist (Original Motion Picture Soundtrack)","description":"\u003cp\u003eNominated for 10 Academy Awards, including Best Original Score, and shot in the glorious, vintage VistaVision format, Brady Corbet’s The Brutalist stands as a monumental achievement in filmmaking. Opening with a mesmerizing and continuous 10-minute overture, composer Daniel Blumberg’s music sets the stage for the film’s epic narrative, which spans multiple decades and follows fictional Hungarian architect László Toth (played by Adrien Brody) as he rebuilds his life in post-war America.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEncompassing large-scale brass orchestrations, intimately lyrical piano melodies and freewheeling, improvisational jazz, The Brutalist’s score is as ambitious and broad in scope as the film itself. Envisioning the score as slabs of sound – rich and resonating while also measured and restrained – the music developed into the sonic embodiment of the Brutalist design aesthetic, where imposing scale and raw textures meet values of simplicity and economy. To craft its singular sound, Blumberg worked with a cast of boundary-pushing musicians and improvisers, traveling across the UK and Europe with a custom-built remote recording setup to capture his players on location. Exploiting the tension between the fluidity of improvised music and the meticulous precision of film scoring, Blumberg coaxed out beautifully rich and resonant performances from his collaborators, including avant-garde innovators Axel Dörner (trumpet), Evan Parker (saxophone), Sophie Agnel (piano), and John Tilbury (piano), to name a few. For the film’s 1980s-set Epilogue, Blumberg traveled to New York to work with synth-pop pioneer Vince Clarke (Depeche Mode, Erasure), deconstructing and rebuilding the film’s main theme into a redemptive, synth and drum machine-driven dance track befitting of the new era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: May 2025\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003e19802879471\u003c\/span\u003e\u003cbr\u003eLabel: Sony\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2olBDm1ekFQ?si=eW3pGJzDF5_TZahd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLP:\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSIDE A\u003cbr\u003e\u003c\/span\u003e1. Overture (Ship)\u003cbr\u003e2. Overture (László)\u003cbr\u003e3. Overture (Bus)\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Chair\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Van Buren's Estate\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Library\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. Jazz Club\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Porn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSIDE B\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. Monologue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Up the Hill\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Pennsylvania\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Bicycle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Steel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Intermission\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSIDE C\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. Erzsébet\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Handjob\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Bath\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Building Site\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Ribbon Cutting\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Picnic by the Lake\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. Gordon's Dinner\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Looking at You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. Vidui\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSIDE D\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. New York\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Stairs\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Carrara\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Marble\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Tunnel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Construction\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. Heroin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Search Party\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. Epilogue (Venice)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003cbr\u003eCD-1\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. Overture (Ship)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Overture (László)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Overture (Bus)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Chair\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Van Buren’s Estate\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Library\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. Jazz Club\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Porn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. Monologue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10. Up the Hill\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. Pennsylvania\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12. Bicycle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e13. Steel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e14. Intermission\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eCD-2\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. Erzsébet\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Handjob\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Bath\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Building Site\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Ribbon Cutting\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Picnic by the Lake\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. Gordon's Dinner\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Looking at You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. Vidui\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10. New York\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. Stairs\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12. Carrara\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e13. Marble\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e14. Tunnel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e15. Construction\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e16. Heroin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e17. Search Party\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e18. Epilogue (Venice)\u003c\/span\u003e\u003c\/p\u003e","brand":"Daniel Blumberg","offers":[{"title":"2LP-Black","offer_id":54959772729730,"sku":"30\/05\/25-DISSON","price":29.0,"currency_code":"GBP","in_stock":false},{"title":"2CD","offer_id":54960003252610,"sku":"30\/05\/25-DISSON","price":14.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/TheBrutalist_LP_Packshot_Cover_Front.jpg?v=1739365755"},{"product_id":"richard-hawley-coles-corner-20th-anniversary-edition","title":"Coles Corner (20th Anniversary Edition)","description":"\u003cp\u003eParlophone \/ Rhino announce details of special 20th Anniversary Editions of Richard Hawley’s revered 2005 album \u003cem\u003eColes Corner\u003c\/em\u003e. \u003cem\u003eColes Corner \u003c\/em\u003ewas Hawley’s third studio album and his first for Mute Records. After five years of garnering praise for his songwriting talents and heart-melting baritone voice, and steadily building a solid fanbase through his outstanding live performances, hard work paid off on an album regarded by many as his best.\u003cbr\u003e\u003cbr\u003eRecorded in Sheffield’s Yellow Arch Studios, and co-produced with his long-time bassist Colin Elliot, and Mike Timm, Coles Corner featured fellow musicians Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums). They conjured up an exquisite album inspired by Hawley’s love of vintage ‘40s and ‘50s sounds, chamber pop, country, blues, and rock ‘n roll, on a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere, on a collection that would cement Hawley’s abiding love and passion for his hometown of Sheffield. Coles Corner is a cornerstone in the catalogue of one of the most creative and outstanding UK singer-songwriters of the past two decades. \u003c\/p\u003e\n\u003cp\u003eReleased: August 2025\u003cbr\u003eCat: 5021732624093\u003cbr\u003eLabel: Parlophone\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1.   Coles Corner\u003cbr\u003e2.   Just Like The Rain\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3.   Hotel Room\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4.   Darlin’ Wait For Me \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5.   The Ocean\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6.   Born Under a Bad Sign\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7.   I Sleep Alone\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8.   Tonight\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9.   (Wading Through) The Waters of My Time\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10. Who’s Gonna Shoe Your Pretty Little Feet? \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. Last Orders\u003cbr\u003e\u003cbr\u003eDeluxe CD edition includes B Sides \/ Single versions and unreleased Acoustic Versions:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. The Ocean - Single Version \u003cbr\u003e2. Just Like The Rain - Single Version\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Born Under a Bad Sign - Single Version \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Hotel Room - Single Version\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. Long Black Veil \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6. Room With a View \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7. I'm Absolutely Hank Marvin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8. Dark Road \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. Kelham Island \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10. Some Candy Talking\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. Young and Beautiful \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12. I'm Just Here To Get My Baby Out Of Jail \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e13. Can You Hear The Rain Love?\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e14. Coles Corner - Acoustic Version \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e15. Hotel Room - Acoustic Version \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e16. Darlin’ Wait For Me - Acoustic Version \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e17. I Sleep Alone - ( Live at Sheffield City Hall) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e18. A Bird Never Flew On One Wing \u003c\/span\u003e\u003c\/p\u003e","brand":"Richard Hawley","offers":[{"title":"LP-Half Speed Master","offer_id":55012327981442,"sku":"04\/07\/25-DISWAR","price":28.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Zoetrope","offer_id":55216444866946,"sku":"04\/07\/25-DISWAR","price":28.0,"currency_code":"GBP","in_stock":false},{"title":"2CD-Deluxe","offer_id":55012337156482,"sku":"04\/07\/25-DISWAR","price":13.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/0094633509856.jpg?v=1741088377"},{"product_id":"the-armed-the-future-is-here-and-everything-needs-to-be-destroyed","title":"THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED","description":"\u003cp\u003eThe Armed return with their new album \u003cem\u003eThe Future Is Here and Everything Needs to Be Destroyed\u003c\/em\u003e, the follow up to 2023’s critically acclaimed album \u003cem\u003ePerfect Saviors\u003c\/em\u003e. After completing a trilogy of albums laser-focused on dissecting artistic authenticity in the Information Age, The Armed began work on new material with no premeditated rules or concepts favouring only raw expression and urgency to herald a new era for the project.\u003cbr\u003e\u003cbr\u003eWhat emerged is a furious and confrontational new album—\u003cem\u003eThe Future Is Here and Everything Needs to Be Destroyed.\u003c\/em\u003e Still genre-defying, yet overtly pissed, it's an unfiltered expression of Weltschmerz, the German term describing the anguish of the world’s reality versus our idealized visions of what it should be. “This record rejects sanitized, G-rated rebellion curated for upper middle-class tastes,” vocalist Tony Wolski explains. “It’s music for a statistically wealthy population that somehow can’t afford food or medicine—endlessly scrolling past vacation photos, gym selfies, and images of child amputees in the same feed. It reflects the dissociation required just to exist in that reality.”\u003c\/p\u003e\n\u003cp\u003eThe album includes performances by Ken Szymanski, Patrick Shiroishi, Urian Hackney, Kurt Ballou, Troy Van Leeuwen, Meghan O’Neil, Cara Drolshagen, Tony Wolski, Brian Wolski, Justin Meldal-Johnsen, Ben Chisholm, Prostitute, Zach Weeks, Mark Guiliana, Kayleigh Goldsworthy, and Derek Coburn.\u003c\/p\u003e\n\u003cp\u003eReleased: August 2025\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: SH299LPCS\u003cbr\u003e\u003c\/span\u003eLabel: Sargent House\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Smiq2FP9Mos?si=6_eBRam1nYOM3tVP\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Well Made Play\u003cbr\u003e2. Purity Drag\u003cbr\u003e3. Kingbreaker\u003cbr\u003e4. Grace Obscure\u003cbr\u003e5. Broken Mirror (feat. Prostitute)\u003cbr\u003e6. Sharp Teeth\u003cbr\u003e7. I Steal What I Want\u003cbr\u003e8. Local Millionaire\u003cbr\u003e9. Gave Up\u003cbr\u003e10. Heathen\u003cbr\u003e11. A More Perfect Design\u003c\/p\u003e","brand":"The Armed","offers":[{"title":"LP-Cloudy Clear w\/ Yellow, Green \u0026 Pink Splatter","offer_id":55227897053570,"sku":"01\/08\/25-DISCAR","price":30.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":55227972288898,"sku":"01\/08\/25-DISCAR","price":29.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55227978252674,"sku":"01\/08\/25-DISCAR","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Armed_-_THE_FUTURE_IS_HERE_AND_EVERYTHING_NEEDS_TO_BE_DESTROYED.jpg?v=1748438662"},{"product_id":"groove-armada-black-light-2025-reissue","title":"Black Light (2025 Reissue)","description":"\u003cdiv\u003e\n\u003cp\u003e15th anniversary repress after being unavailable for some time! \u003c\/p\u003e\n\u003cp\u003eBlack Light is the sixth studio album by English electronic duo Groove Armada. It combines the more mainstream-oriented sound of its predecessor, Soundboy Rock, with the rock spirit of Lovebox, and the band makes use of 1980s synthesisers for the first time. \u003c\/p\u003e\n\u003cp\u003eThe album is influenced by David Bowie, Fleetwood Mac, Gary Numan, New Order and Roxy Music. The vocal collaborations on the album include Bryan Ferry, Fenech-Soler, Jess Larrabee, Nick Littlemore, Saint Saviour and Will Young.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eReleased: August 2025\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: 964172101\u003cbr\u003e\u003c\/span\u003eLabel: BMG\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A: \u003c\/p\u003e\n\u003cp\u003e1. Look Me In The Eyes Sister (feat Saint Saviour)\u003c\/p\u003e\n\u003cp\u003e2. Fall Silent (feat Jessica Larrabee)\u003c\/p\u003e\n\u003cp\u003e3. Just For Tonight (feat Saint Saviour)\u003c\/p\u003e\n\u003cp\u003eSide B: \u003c\/p\u003e\n\u003cp\u003e1. Not Forgotten \u003c\/p\u003e\n\u003cp\u003e2. I Won’t Kneel (feat Saint Saviour)\u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003cp\u003e1. Cards To Your Heart \u003c\/p\u003e\n\u003cp\u003e2. Paper Romance (feat Saint Saviour \u0026amp; Fenech-Soler)\u003c\/p\u003e\n\u003cp\u003e3. Warsaw\u003c\/p\u003e\n\u003cp\u003eSide D: \u003c\/p\u003e\n\u003cp\u003e1. Shameless (feat Bryan Ferry)\u003c\/p\u003e\n\u003cp\u003e2. Time \u0026amp; Space (feat Saint Saviour)\u003c\/p\u003e\n\u003cp\u003e3. History (feat Will Young)\u003c\/p\u003e\n\u003col type=\"1\" start=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Groove Armada","offers":[{"title":"2LP-Black","offer_id":55265296875906,"sku":"01\/08\/25-DISUNI","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/GrooveArmada01.08.25.jpg?v=1749215343"},{"product_id":"april-magazine-sunday-music-for-an-overpass","title":"Sunday Music For An Overpass","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eTough Love brings to vinyl for the first time April Magazine's \u003cem\u003eSunday Music For An Overpass\u003c\/em\u003e, a nine track collection originally issued on cassette in vanishingly small number by Paisley Shirt in 2021. The kind of mythical recording you might have once needed to know the band to own. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eApril Magazine are a comparatively loosely assembled three (sometimes four) piece centred around artist\/musician Peter Hurley, who seem to simultaneously operate at both the heart and the margins of the current Bay Area underground. On the one hand they share members with many other bands, their guitarist\/singer runs a gallery that functions as some kind of focal point\/social space, and Cindy even have a song named after them. On the other hand, their music is resolutely lo-fi and invariably couched in a mysterious haze, the live footage available online seems to suggest that they sound slightly different each time they play, and there are reports they have dozens of songs (possibly albums?) that have not and may never be released, hidden inside their own private universe. On its initial release, \u003cem\u003eSunday Music For An Overpass\u003c\/em\u003e was an early attempt to drag the group a little closer into the light, yet inevitably made them feel as endearingly enigmatic as ever. Typically, this vinyl reissue some four years later only goes part way in clearing that alluring fog.\u003c\/p\u003e\n\u003cp\u003eApril Magazine channel the greats - Spacemen 3, The Pastels, early B\u0026amp;S, Mary Chain, Rainy Day\/Opal\/Mazzy et al - but submerge their obvious melodic capabilities within seemingly infinite spray can hiss, as if the songs are being pulled backwards through some vortex to the past. Half of these tracks are instrumentals, and it's in those moments that the band are perhaps at their most expressive, suggesting a very inviting melancholy that can't quite be figured out. Though the LP remasters the original recordings and is a little cleaner sounding as a result, no secret is being given away. The appeal is that the more you hear from them, the less you really know, and all the better for it. Maybe, then, it's that April Magazine are here to show there is no centre to the universe, that instead it's always just off to the side...\u003c\/p\u003e\n\u003cp\u003eReleased: August 2025\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: TLV179LP\u003c\/span\u003e\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003c\/span\u003eLabel: Tough Love\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wxEWdWeYeNE?si=n7E2IloTrnKUYuMH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e1. Shrine\u003cbr\u003e2. Baby It's Alright\u003cbr\u003e3. Ride 38\u003cbr\u003e4. Tiffany's Days Go By\u003cbr\u003e5. Christopher Siren\u003cbr\u003e6. Sugar Daddy\u003cbr\u003e7. Blue\u003cbr\u003e8. Soft Purple Sky\u003cbr\u003e9. Julia's Eyes\u003c\/span\u003e\u003c\/p\u003e\n\u003col type=\"1\" start=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"April Magazine","offers":[{"title":"LP-Black","offer_id":55292177351042,"sku":"01\/08\/25-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/April_Magazine_-_Sunday_Music_For_An_Overpass.jpg?v=1749906597"},{"product_id":"david-bowie-glastonbury-2000","title":"Glastonbury 2000","description":"\u003cp\u003e\u003cem\u003eGlastonbury 2000\u003c\/em\u003e is a live album from David Bowie. It was recorded during his Sunday night headline slot at the Glastonbury Festival on 25 June 2000, part of his Mini Tour. The album marks the first time the full audio of the performance is released, 18 years after it took place. It was shown in its entirety for the first time on BBC2 on 28 June 2020.\u003c\/p\u003e\n\u003cp\u003eReleased: August 2025\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003e0190295570453\u003c\/span\u003e\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003c\/span\u003eLabel: Warner\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xXeZcv3gkqE?si=iU44urhMyUaBxGkj\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA1. Introduction (Greensleeves)\u003cbr\u003e\u003c\/span\u003eA2. Wild Is The Wind\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA3. China Girl\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA4. 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The Man Who Sold The World\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eD4. Station To Station\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eE1. Starman\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eE2. Hallo Spaceboy\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eE3. Under Pressure\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eE4. Ziggy Stardust\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eF1. “Heroes”\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eF2. Let’s Dance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eF3. 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Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records \u0026amp; the band, forcing the band to break up. 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