{"title":"08\/05\/26","description":"","products":[{"product_id":"broken-social-scene-remember-the-humans","title":"Remember The Humans","description":"\u003cp\u003eBroken Social Scene have announced the May 8 release of their new album\u003cem\u003e Remember the Humans \u003c\/em\u003evia City Slang \/ Arts \u0026amp; Crafts. Marking their first new studio album in nearly a decade, the LP reunites the Toronto collective with producer David Newfeld, who helmed their breakthrough \u003cem\u003eYou Forgot It in People \u003c\/em\u003e(2002) and self-titled 2005 album. \u003cbr\u003e\u003cbr\u003eAcross the 12 tracks the arrangements are dense and enveloping - a lattice of horns, guitars, voices, and electronics - yet melody always remains sovereign, refusing to be swallowed by the sheer sound. When the music drifts towards abstraction, a grounding bass line arrives to anchor the listener, reminding us always that there are human hands on the controls and that, however artful, this is still rock and roll. As ever, Broken Social Scene operates less as a band than as a community and songs evolve by ceding control to whoever can best carry them forward in the moment. Drew may be the designated driver, but collaborators on \u003cem\u003eRemember the Humans\u003c\/em\u003e, including Hannah Georgas, Lisa Lobsinger, and Feist, step into the foreground throughout the record, shaping songs with a sense of collective authorship that has always defined the group’s ethos.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: SLANG50608X\u003cbr\u003eLabel: City Slang\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fJoqT8LPe04?si=oEdGpknt0dsl5k92\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A\u003cbr\u003eA1 Not Around Anymore\u003cbr\u003eA2 Only the Good I Keep\u003cbr\u003eA3 Mission Accomplished (Kingfisher)\u003cbr\u003eA4 The Call\u003cbr\u003eA5 Relief\u003cbr\u003eA6 And I Think of You\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eB1 This Briefest Kiss\u003cbr\u003eB2 Life Within the Ground\u003cbr\u003eB3 Hey Amanda\u003cbr\u003eB4 Paying For Your Love\u003cbr\u003eB5 What Happens Next\u003cbr\u003eB6 Parking Lot Dreams\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broken Social Scene","offers":[{"title":"LP-Cream","offer_id":56309273067906,"sku":"08\/05\/25-DISROM","price":30.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":56309380809090,"sku":"08\/05\/25-DISROM","price":29.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56309389328770,"sku":"08\/05\/25-DISROM","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/0fb8ab6d-001c-f95e-aef5-a465bbb56870.jpg?v=1770202314"},{"product_id":"muna-dancing-on-the-wall","title":"Dancing On The Wall","description":"\u003cp\u003eMUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, \u003cem\u003eDancing On The Wall,\u003c\/em\u003e they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them. \u003cbr\u003e\u003cbr\u003eAcross the record, MUNA explores desire, intimay, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and how joy survives without denial. \u003c\/p\u003e\n\u003cp\u003eThe record is produced by Naomi McPherson, with their trademark attention to detail blending effortlessly with bandmate Josette Maskin’s well-honed behind-the-scenes pop technique to create living, breathing worlds for lead singer Katie Gavin’s incisive lyricism and signature voice. \u003cem\u003eDancing On The Wall \u003c\/em\u003eblends euphoric sonic landscapes with sharp, human storytelling. The album reflects a fiercely self-directed creative process, one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: SAD028LP-C1\u003cbr\u003eLabel: Saddest Factory\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ISlZNU6WWFo?si=N5_g8y10E24kuXAs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. It Gets So Hot\u003cbr\u003e2. Dancing On The Wall\u003cbr\u003e3. Eastside Girls\u003cbr\u003e4. Wannabeher\u003cbr\u003e5. On Call\u003cbr\u003e6. So What\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e7. Party's Over\u003cbr\u003e8. Big Stick\u003cbr\u003e9. Mary Jane\u003cbr\u003e10. 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The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But \u003cem\u003eHello Baby Okay \u003c\/em\u003emarks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. “We wanted the joy to shine through,” they say.\u003c\/p\u003e\n\u003cp\u003eWhile \u003cem\u003eSwimming Static\u003c\/em\u003e was densely constructed, with instrumentation meticulously layered in the editing suite, its follow-up was a totally different process where “we did the complete opposite,” says Katy Sargent (vocals, cello). When they went into the studio in 2023, they went back to their roots with free-flowing jam sessions, rekindling their sense of spontaneity while channeling the warm embrace of the dancefloor. “Our sound got pigeonholed into a chillout coffee-shop playlist space,” says Luke \u003cspan data-olk-copy-source=\"MessageBody\"\u003eThornton (bass, beat-making)\u003c\/span\u003e, but in fact, David \u003cspan data-olk-copy-source=\"MessageBody\"\u003eHavard (guitar, synths, programming) \u003c\/span\u003econtinues, “DJ culture has been heavily influential on our approach to music.”\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: EIHBOLPD\u003cbr\u003eLabel: Elder Island\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/niwrO4SXHLM?si=PcuFIPnM9VMPJl-D\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eA1. 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Newly remastered by Dan Coutant at Sun Room Audio, this anniversary edition accents and amplifies a modern metal classic. Pressed on exclusive 'Rime and Frost' colour vinyl with a bonus large die cut-sticker of the band's iconic logo included.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: KEM029-5\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Kemado Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Celestial Crown \u003cbr\u003e2. Barael’s Blade \u003cbr\u003e3. Freya \u003cbr\u003e4. Winter’s Wolves \u003cbr\u003e5. The Horned Goddess \u003cbr\u003e6. Iron Swan\u003cbr\u003e7. Lament For The Aurochs \u003cbr\u003e8. March Of The Lor \u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9. 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The album was captured over the course of two sold-out summer nights at the Old Town School of Folk Music in bandleader Alynda Segarra’s new home of Chicago, Illinois.  Spanning 14 songs,\u003cem\u003e Live Forever\u003c\/em\u003e presents \u003cem\u003eThe Past Is Still Alive\u003c\/em\u003e in its entirety, as well as a selection of Hurray for the Riff Raff’s show-stopping, set-defining staples: decrying ICE on the poetic ‘Precious Cargo’ and The Navigator’s anthemic ‘Pa’lante’; the prescient digital age critique of ‘Pyramid Scheme’; and ripping through a folk-rock rendition of LIFE ON EARTH’s ‘Rhododendron’.\u003c\/p\u003e\n\u003cp\u003e“I moved to Chicago in September 2024, the year I released\u003cem\u003e The Past Is Still Alive\u003c\/em\u003e and hit the road with a new band – a group of musicians recommended by my front of house\/production manager, Johnny Wilson.  Everyone had ties to the city, and had been playing together in the DIY scene for over a decade. Since then we’ve traveled the world together, becoming family, playing the best shows of my life.  Chicago has become home for me, and I feel grateful for the welcome I’ve gotten into the best music scene in the country. I wanted to capture this time and this brilliant band, a moment that won’t last forever. This record is a love letter to the working class musicians out there, we who slug it out on the road against all odds. We deserve so much more from an industry built to exploit us. It’s a thank you to all the fans supporting live music, you who believe songs made by human beings are a vital life force. Thank you.” – Alynda Segarra\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFronted by Alynda Segarra, \u003cem\u003eLive Forever \u003c\/em\u003efeatures the musicians from Hurray for the Riff Raff’s latest touring lineup: Parker Grogan (electric guitar, vocals), Nnamdi Ogbonnaya (bass, backing vocals), Marcus Drake (drums) and Sen Morimoto (saxophone, keyboards), produced by Johnny Wilson. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: 0075597893205\u003cbr\u003eLabel: Nonesuch\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f-98G3Hon0s?si=ETNjOLZOtw-kD9Qm\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. 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Vetiver (Live)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. The World Is Dangerous (Live)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12. Hourglass (Live)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e13. Ogallala (Live)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e14. 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The 2LP 140g vinyl is packaged in a tip-on gatefold jacket in two retail variants: Standard Black Vinyl and an Indie Exclusive Eco-Mix Red.\u003cbr\u003e\u003cbr\u003eThe album expands upon the group's previous full-length, \u003cem\u003ePanopticon\u003c\/em\u003e, further exploring lead singer Aaron Turner's clean vocals (though his former techniques, which relied more on screaming and growling, are still present as well). Musically, the album is dynamic, ranging from extended musical ambience to almost tribal drumming. Isis continued their lengthy songwriting;\u003cem\u003e In the Absence of Truth\u003c\/em\u003e is Isis' longest record, at almost 65 minutes.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: IPC282LP-C1\u003cbr\u003eLabel: Ipecac Recordings\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. Wrists Of Kings\u003cbr\u003e2. 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These songs are self-effacing without self-pity, carefully constructed altars of imperfection channeled through pop melodies, shimmering but urgent guitars, and a voice that reaches for choir boy innocence.\u003c\/p\u003e\n\u003cp\u003eThe bulk of \u003cem\u003eBeauty Land \u003c\/em\u003ewas recorded directly to tape, almost entirely alone in Mendez’s makeshift home studio in Philadelphia - a small room with no natural light. It’s his first full length since his unexpected self-titled breakthrough in 2023, which was a slow burn success following 15 years of writing and recording music in relative obscurity between Philly and New York. \u003cem\u003eBeauty Land \u003c\/em\u003epicks up where we left off three years ago – plumbing the depths of grief, love, and addiction – but its intense, quiet clarity shows Mendez at his songwriting best.\u003c\/p\u003e\n\u003cp\u003eParts of \u003cem\u003eBeauty Land \u003c\/em\u003efeel like a lucid dream, dented characters carve their way through a world that’s cartoonish and warped – the broken-clock march of “I Wanna Feel Pretty,” the chiming toy piano on “Gentle Love.” “Mary \/ Dreaming” begins as a sparse, finger-picked lament before cutting abruptly to a deflated, Beach-Boys-but-make-it-fucked-up resolution that brings both melancholy and joy; a sense that all things can be true at once. 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It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that’s always animated their best material.\u003cbr\u003e\u003cbr\u003eSince forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that’s changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. \u003cem\u003eWired \u003c\/em\u003eis the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp\u003eBasement are back firing on all cylinders, but they’re not interested in rehashing old glories. The whole band was adamant that \u003cem\u003eWired \u003c\/em\u003ehad to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on \u003cem\u003eWired \u003c\/em\u003esounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003cbr\u003e\u003cbr\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they’re wired for this shit.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: RFC288LP-C5\u003cbr\u003eLabel: Run For Cover\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Sr-TsPc20N8?si=Y7m5c8G8q63eAw-J\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSide A\u003cbr\u003e1. 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By the time of \u003cem\u003eA Dream Is All We Know \u003c\/em\u003eand the future Michael classic “My Golden Years”, The Lemon Twigs’ new era had truly begun. \u003cbr\u003e\u003cbr\u003eAnd now comes the third Lemon Twigs album for Captured Tracks, \u003cem\u003eLook For Your Mind!\u003c\/em\u003e, which underneath its poppy exterior contains an undercurrent of paranoia and suspicion. Opening with title track “Look For Your Mind”, a jangly Michael number, the listener is introduced to the guitar-driven harmony sound that is the centering theme of the album. Much of what was achieved on \u003cem\u003eA Dream Is All We Know\u003c\/em\u003e is here, just more laser focused. 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As Fenriz himself proclaims of the title's symbolic origin, \"Prehistoric is a loose term. I just figure it's our \u003cem\u003evibe\u003c\/em\u003e, our take on things, and it's more a statement that we use old style to create something new.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePre-Historic Metal\u003c\/em\u003e contains eight tracks of primal epics \u0026amp; gargantuan riffs with organic sound \u0026amp; the ever-present permeating spirit of the 70's and 80's. \u003cbr\u003e\u003cbr\u003eThe album was recorded at Chaka Khan Studios, Oslo, with production work conducted by Ole Ovstedal, Silje Hogevold \u0026amp; Mads Luis. 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Out-of-print on the format since its initial UK release on Andmoresound in 2001, the 25th anniversary edition is the most definitive version of of Biggest Bluest Hi-Fi ever pressed to vinyl, featuring both “Eighties Fan” B-sides — “Shine Like a New Pin” and “Let’s Go Bowling” — which were later added to expanded CD reissues of the album.\u003c\/p\u003e\n\u003cp\u003eThe album is a remarkably-assured opening statement, a fully realized expression of a sound that has enthralled listeners from their first spin of the Stuart Murdoch (Belle \u0026amp; Sebastian) produced “Eighties Fan” to their last listen of the band’s 2024 return to the studio \u003cem\u003eLook to the East, Look to the West\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThose fans have clamoured for\u003cem\u003e Biggest Bluest Hi-Fi\u003c\/em\u003e to receive the vinyl reissue it has long deserved. Setting the needle down on tracks like “Swimming Pool,” “Pen and Notebook,” and “Happy New Year,” it’s easy to hear why: each of the album’s 12 songs are perfectly-observed slices of life rendered cinematic through opulently-detailed arrangements. It’s eternal, bedrock pop music as only Camera Obscura could make it, suitable for the hi-fis of 1966 and 2026 alike.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003eMRG256LP\u003c\/span\u003e\u003cbr\u003eLabel: Merge Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. Happy New Year\u003cbr\u003e2. Eighties Fan\u003cbr\u003e3. Houseboat\u003cbr\u003e4. Shine Like a New Pin\u003cbr\u003e5. Pen and Notebook\u003cbr\u003e6. Swimming Pool\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e7. Anti-Western\u003cbr\u003e8. Let’s Go Bowling\u003cbr\u003e9. I Don’t Do Crowds\u003cbr\u003e10. The Sun on His Back\u003cbr\u003e11. Double Feature\u003cbr\u003e12. Arrangements of Shapes and Space\u003c\/p\u003e","brand":"Camera Obscura","offers":[{"title":"LP-Black","offer_id":56510076977538,"sku":"08\/05\/26-DISCAR","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/CameraObscura-BiggestBluestHi-Fi.jpg?v=1774450130"},{"product_id":"midge-ure-a-man-of-two-worlds","title":"A Man of Two Worlds","description":"\u003cp\u003eIn recent years, Midge Ure has spent his time playing live and has not had time to fully immerse himself in the studios creating music. \u003cem\u003eA Man of Two Worlds\u003c\/em\u003e is his first album of new material in 12 years.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWell worth the wait, the album is a formidable collection of outstanding music, divided into two clear parts. The first half, World One: Music, consists of eight instrumental pieces, while the second half, World Two: Songs, features eight vocal songs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis concept was partly inspired by the time Midge spent during lockdown listening to instrumental music whilst presenting THE SPACE on Scala Radio. Hearing music that rarely finds a home on mainstream radio, he set about making something without lyrics, where the melodies had to speak for themselves. \u003c\/p\u003e\n\u003cp\u003eThe eight vocal songs which form the second part of the album, came to Midge as the world reopened. A more divided world, in many ways a much harder and less empathetic one. Sharing an atmosphere with the preceding instrumentals, these songs are incredibly sparse and meditative, and whilst they are subtle, with some songs dealing with the frailty of the human condition, underlying many songs reflect Midge's concerns for the discord infecting world today. \u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: FESTLP2\u003cbr\u003eLabel: Chrysalis Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xAnK0oWmHEI?si=e9h43efwlFkso4oO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. A Different View\u003cbr\u003e2. The Space In-Between\u003cbr\u003e3. Hearing The Invisible\u003cbr\u003e4. Just Below The Surface\u003cbr\u003e5. The Dimming Light\u003cbr\u003e6. The Other Side\u003cbr\u003e7. Blues And Greys\u003cbr\u003e8. The Pictures You Carry With You\u003cbr\u003e9. Just Words\u003cbr\u003e10. World Away\u003cbr\u003e11. Shouting To The Moon\u003cbr\u003e12. Caught In The Middle\u003cbr\u003e13. Ordinary Man (Previous Moments)\u003cbr\u003e14. Somewhere Out There\u003cbr\u003e15. The Man Who Stole Your Soul\u003cbr\u003e16. Fan The Flame \u003c\/p\u003e","brand":"Midge Ure","offers":[{"title":"2LP-Black","offer_id":56563401556354,"sku":"08\/05\/26-DISPRO","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"2CD Media Book w\/ 20-Page Booklet","offer_id":56563724976514,"sku":"08\/05\/26-DISPRO","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/0840401723555_7B02_7D.webp?v=1776344941"},{"product_id":"cola-cost-of-living-adjustment","title":"Cost Of Living Adjustment","description":"\u003cp\u003e\u003cem\u003eCost of Living Adjustment \u003c\/em\u003eis the sort-of self-titled album from Cola, the Montreal trio of Tim Darcy (vocals\/guitar), Ben Stidworthy (bass), and Evan Cartwright (percussion). \u003cem\u003eC.O.L.A\u003c\/em\u003e. — an acronym for Cost of Living Adjustment — is a fitting conceptual framework for the band's third record. Why? Because \u003cem\u003eC.O.L.A\u003c\/em\u003e. considers, among other things, socialism vs. hell. It considers: rolling the dice of life. The erie and sweet pangs that nostalgia can provoke.\u003cbr\u003e\u003cbr\u003eFollowing two studio LPs which earned the trio praise from Rolling Stone (Best Indie Rock Albums of 2024), Pitchfork (Best Rock Albums of 2024), Stereogum (Best Songs of 2022) and more, \u003cem\u003eCost of Living Adjustment\u003c\/em\u003e is abstract, oblique, sometimes strange, whatever you want to call it. But it is also beautiful, in the classic sense. Beautiful like a painting can be beautiful. It touches on the sublime. It is Cola, the band, at their very best.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: LPFTK332IE\u003cbr\u003eLabel: Fire Talk Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GwY96xYH6Is?si=0XziJ47sSVQwyTCc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA1. Forced Position\u003cbr\u003eA2. Hedgesitting\u003cbr\u003eA3. Fainting Spells\u003cbr\u003eA4. Haveluck Country\u003cbr\u003eA5. Satre-torial\u003cbr\u003eA6. Polished Knives\u003cbr\u003eB1. Much of Muchness\u003cbr\u003eB2. Third Double\u003cbr\u003eB3. Conflagration Mindset\u003cbr\u003eB4. Favoured Over The Ride\u003cbr\u003eB5. Skywriter's Sigh\u003c\/p\u003e","brand":"Cola","offers":[{"title":"LP-Tangerine Orange *Signed*","offer_id":56563730219394,"sku":"08\/05\/26-DISRED","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/a3833864776_10.jpg?v=1776344947"},{"product_id":"nils-frahm-spaces-2026-repress","title":"Spaces (2026 Repress)","description":"\u003cp\u003eBerlin-based contemporary composer Nils Frahm has built a steady reputation for his intimate, poignant piano recordings, yet they so far only showed a fragment of what to expect from a Nils Frahm concert.\u003c\/p\u003e\n\u003cp\u003eFrahm’s heart lies in improvisation, in the magic of a moment where, inspired by the space and the audience, his fingers can create new compositions loosely based around his familiar melodies. \u003cem\u003eSpaces \u003c\/em\u003eis an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, \u003cem\u003eSpaces \u003c\/em\u003ewas recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. These moments were later pieced together in his Durton Studio and referred to by Frahm as a collage of field recordings rather than a live album. It Includes surprise moments such as the sound of him banging a toilet brush on the piano strings to create a dub-sounding track. The decision to select takes that have people coughing and cell phones ringing show that his audience is an integral part of every performance.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: ERATP055LP \u003cbr\u003eLabel: Erased Tapes\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. An Aborted Beginning\u003cbr\u003e2. Says\u003cbr\u003e3. Said And Done\u003cbr\u003e4. Went Missing\u003cbr\u003e5. Familiar\u003cbr\u003e6. Improvisation For Coughs And A Cell Phone\u003cbr\u003e7. Hammers\u003cbr\u003e8. For - Peter - Toilet Brushes - More\u003cbr\u003e9. Over There, It's Raining\u003cbr\u003e10. Unter - Tristana - Ambre\u003cbr\u003e11. Ross's Harmonium\u003c\/p\u003e","brand":"Nils Frahm","offers":[{"title":"2LP-Black","offer_id":56602065666434,"sku":"08\/05\/26-DISFOR","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/a4221247653_10.jpg?v=1777554541"},{"product_id":"black-veil-brides-vindicate","title":"Vindicate","description":"\u003cp\u003e\u003cem\u003eVindicate,\u003c\/em\u003e Black Veil Bride’s seventh album, casts a brilliant symbolic signal across the darkened skies. It’s a living will and testament to the band’s storied past, triumphant present, and unwritten future. \u003cem\u003eVindicate \u003c\/em\u003eharnesses the blend of grandeur and intimacy at the heart of the band’s melodic and metallic sound. Across timeless songs, \u003cem\u003eVindicate \u003c\/em\u003econjures enduring archetypes, interwoven with themes of revolt and vengeance, and shades of John Milton’s epic 1677 poem, Paradise Lost.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVindicate \u003c\/em\u003eushers in Black Veil Brides' most visceral, creative, thrilling, and uncompromising era yet, as the band continues to defy expectations and misconceptions held by casual onlookers. Black Veil Brides forever champions the isolated and the dismissed. They’re an object of devotion and obsession for those who sing their anthems in unison, a diverse BVB Army that never surrenders.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: SPINE801089P\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Spinefarm Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F680LN6MBNs?si=ASisVN4NYFBE24aw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Invocation To The Muse\u003cbr\u003e2. Vindicate\u003cbr\u003e3. Certainty\u003cbr\u003e4. Bleeders\u003cbr\u003e5. Hallelujah\u003cbr\u003e6. Cut (ft. Lilith Czar)\u003cbr\u003e7. Alive\u003cbr\u003e8. Purgatory\u003cbr\u003e9. Revenger (ft. Machine Head)\u003cbr\u003e10. Sorrow\u003cbr\u003e11. Grace\u003cbr\u003e12. Ave Maria\u003cbr\u003e13. Woe \u0026amp; Pain\u003cbr\u003e14. Eschaton\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Black Veil Brides","offers":[{"title":"LP-Glow In The Dark","offer_id":56621410779522,"sku":"08\/05\/26-DISPIA","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/1000x1000.png?v=1778070569"},{"product_id":"joey-badass-b4-da-ss-2026-repress","title":"B4.DA.$$ (2026 Repress)","description":"\u003cp\u003e\u003cem\u003eB4.DA.$$\u003c\/em\u003e (pronounced \"Before Da Money\") is the debut studio album from Joey Bada$$. Originally released on January 20, 2015, on his 20th birthday.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: CMGLP2385\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Cinematic Music Group\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A\u003cbr\u003eA1. Save The Children\u003cbr\u003eA2. Greenbax (Introlude)\u003cbr\u003eA3. Paper Trail$\u003cbr\u003eA4. Piece Of Mind\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003eB1. Big Dusty\u003cbr\u003eB2. Hazeus View\u003cbr\u003eB3. Like Me (ft. BJ The Chicago Kid)\u003cbr\u003eB4. Belly Of The Beast (ft. Chronixx)\u003cbr\u003e\u003cbr\u003eSIDE C\u003cbr\u003eC1. No. 99\u003cbr\u003eC2. Christ Conscious\u003cbr\u003eC3. On \u0026amp; On (ft. Maverick Sabre \u0026amp; Dyemond Lewis)\u003cbr\u003eC4. Escape 120 (ft. Raury)\u003cbr\u003e\u003cbr\u003eSIDE D\u003cbr\u003eD1. 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Executive produced by Joey Bada$$ and Jonny Shipes with production contributions from Kirk Knight, Chuck Strangers, DJ Khalil, and Statik Selektah.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: CNMTLP2550\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Cinematic Music Group\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A\u003cbr\u003eA1. GOOD MORNING AMERIKKKA\u003cbr\u003eA2. FOR MY PEOPLE\u003cbr\u003eA3. TEMPTATION\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003eB1. LAND OF THE FREE\u003cbr\u003eB2. DEVASTATED\u003cbr\u003eB3. Y U DON'T LOVE ME? (MISS AMERIKKKA)\u003cbr\u003e\u003cbr\u003eSIDE C\u003cbr\u003eC1. ROCKABYE BABY (ft. Schoolboy Q)\u003cbr\u003eC2. RING THE ALARM (ft. Nyck Caution, Kirk Knight, Meechy Darko)\u003cbr\u003eC3. SUPER PREDATOR (ft. Styles P)\u003cbr\u003e\u003cbr\u003eSIDE D\u003cbr\u003eD1. BABYLON (ft. 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From the towering eight-minute opener ‘in my head’ to the closing track ‘ghost girl’, the album lets go of restraint in favour of something more raw, blending fragile melodies with distortion and aggression to create a sound that feels both intimate and explosive. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s a wide emotional spectrum reflected in a change of instrumentation for \u003cem\u003eBoys Cry Too\u003c\/em\u003e, with live drums and guitar coming more into focus ahead of the layers of sun-bleached synths that characterised \u003cem\u003eDawn Of The Freak\u003c\/em\u003e. The shadowy ‘castlevania’, for instance, is described by Liebens as “the perfect triangle of Nirvana, Alice In Chains and My Bloody Valentine’s Loveless.”\u003c\/p\u003e\n\u003cp\u003eYet despite its squalls of guitar noise, Liebens says he was largely listening to hip hop artists during the record’s competition, citing emo-rap outlier Lil Peep as a key influence as he crafted his own set of lyrical signifiers. “The lyrics in a lot of non-hip hop music try to bring resolution, but it’s so much more powerful to have these lines that people just instantly engage with,” he notes.\u003c\/p\u003e\n\u003cp\u003eFor all the killer lyrics on the record that grab you by the scruff of the neck, it was crucial for Liebens to leave space in his writing for the listener to impart their own experience into the songs. \u003cem\u003eBoys Cry Too\u003c\/em\u003e may have been born from his own pain, but he wants it to resonate with other people’s lives.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: PIASR1637LP\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Play It Again Sam\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Z8Bh8SmuqkU?si=7OPvj1vzUVbsxDmg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. in my head\u003cbr\u003e2. castlevania\u003cbr\u003e3. deathwish\u003cbr\u003e4. emo song\u003cbr\u003e5. wake up\u003cbr\u003e6. hurt\u003cbr\u003e7. murder me\u003cbr\u003e8. falling to pieces\u003cbr\u003e9. i hear voices\u003cbr\u003e10. forget me\u003cbr\u003e11. ghost girl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Haunted Youth","offers":[{"title":"LP-White","offer_id":56621636092290,"sku":"08\/05\/26-DISPIA","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/e70b1413-4616-4d84-bafc-1c98f95df3ad.jpg?v=1778143944"},{"product_id":"kathryn-mohr-carve","title":"Carve","description":"\u003cp\u003e\u003cem\u003eCarve \u003c\/em\u003eis the second full-length by Bay Area artist, Kathryn Mohr. Written over the course of five years and recorded over several weeks in a rural singlewide in the Mojave Desert, the album centers on love experienced as a form of grief, not as an aftermath of loss, but as a condition of intimacy itself.\u003c\/p\u003e\n\u003cp\u003eMohr describes \u003cem\u003eCarve \u003c\/em\u003eas an album about how memory exists outside the body, embedded in places and landscapes. It is shaped by her first return to the American Southwest since a childhood road trip at age five, and by the experience of moving through terrain that holds emotional weight long after its origins fade. The record considers how intimacy feels after years of isolation, and what it takes to carve out a life that allows for trust, presence, and feeling rather than mere survival.\u003c\/p\u003e\n\u003cp\u003eThe project took form after a difficult tour that ended in Joshua Tree. Mohr pointed her car into the desert and drove alone, crisscrossing the Mojave on dirt roads. Months later, she returned to record the album, working alone with an acoustic guitar, a field recorder, and limited supplies. Following that period, Mohr began to allow for intimacy and connection.\u003c\/p\u003e\n\u003cp\u003eThe time she spent recording \u003cem\u003eCarve \u003c\/em\u003ein the desert did not create isolation so much as mirror it. Working alone out of an old, western-themed jail Airbnb, the physical enclosure reflected the emotional conditions under which much of the record had been written: distance, restraint, and long stretches of stillness. In that context, love was not experienced as escape, but as something inseparable from impermanence and the awareness of loss. This tension between connection and inevitability sits at the centre of \u003cem\u003eCarve\u003c\/em\u003e. Some of the album’s songs were written earlier, during a prolonged period marked by emotional distance and apathy. Over those four years, Mohr was working through unprocessed childhood memories and their long-term effects on her ability to connect with others. The work was slow and difficult, involving a fundamental reshaping of how she related to herself and to the world. \u003cem\u003eCarve \u003c\/em\u003ewas mixed by Richard Chowenhill of Flenser labelmates Agriculture.\u003c\/p\u003e\n\u003cp\u003eReleased: May 2026\u003cbr\u003eCat: \u003cspan\u003eFR191LPX\u003c\/span\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Flenser\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mkP-8n5xfQo?si=-Ys3WKf9EolEqbTy\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Bone Infection\u003cbr\u003e2. Doorway\u003cbr\u003e3. Angle of Repose\u003cbr\u003e4. Commit\u003cbr\u003e5. Property\u003cbr\u003e6. I Do\u003cbr\u003e7. Idiocy\u003cbr\u003e8. Owner\u003cbr\u003e9. Cells\u003cbr\u003e10. Chromium 6\u003cbr\u003e11. Trouble Me\u003cbr\u003e12. Crow Eyes\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kathryn Mohr","offers":[{"title":"LP-Seaweed Green","offer_id":56621824901506,"sku":"08\/05\/26-DISPIA","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/a4168561555_10.jpg?v=1778074804"},{"product_id":"jack-white-frozen-charlotte","title":"Frozen Charlotte","description":"Frozen Charlotte - the 7th studio album from Jack White shows the Rock and Roll Hall of Famer at his best; backed by an incredible band (Patrick Keeler on drums, Dominic Davis on bass, Bobby Emmett on keys) whose collective hand is scorching hot after coming off a tour of universally-acclaimed performances. Instead of resting on a “job well done”, they went straight to work in the studio and laid down what became Frozen Charlotte.\n\u003cp\u003eRecorded in White's Third Man Studio in Nashville, this album shows Jack carrying on the same raucous, raw, and frenetic energy from his lauded 2024 album, No Name. 13 tracks of distinct feel and tone, Frozen Charlotte is an intense rock and roll punch with never far behind blues underpinnings... all of which fits right at home with long time fans while leaving an inviting open door to newcomers alike.\u003c\/p\u003e\n\u003cp\u003eReleased: July 2026\u003cbr\u003eCat: TMR1062LP\u003cbr\u003eLabel: Third Man Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PeDCA1P1ws8?si=nbP_uPTWWEeJkneu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. G.O.D. And The Broken Ribs\u003cbr\u003e2. Derecho Demonico\u003cbr\u003e3. There's Nobody There\u003cbr\u003e4. Raising The Grain\u003cbr\u003e5. You’ll Never Fix Me Nobody Knows\u003cbr\u003eSide B\u003cbr\u003e1. Dollar Bill\u003cbr\u003e2. I Can’t Believe What I’m Hearing\u003cbr\u003e3. Thick As Thieves\u003cbr\u003e4. All Alone Again\u003cbr\u003e5. She's In A Frenzy\u003cbr\u003e6. Making Contact\u003cbr\u003e7. Neighbors Blues\u003c\/p\u003e","brand":"Jack White","offers":[{"title":"LP-Blue","offer_id":56701224812930,"sku":"10\/07\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56701225992578,"sku":"10\/07\/26-DISCAR","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56701226582402,"sku":"10\/07\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/jack_white_-_frozen_charlotte.jpg?v=1781082470"}],"url":"https:\/\/recordculture.com\/collections\/08-05-26.oembed?constraint=americana","provider":"Record Culture","version":"1.0","type":"link"}