{"title":"12\/06\/26","description":"","products":[{"product_id":"grandaddy-the-sophtware-slump-on-a-wooden-piano","title":"The Sophtware Slump ..... On A Wooden Piano (2026 Reissue)","description":"\u003cp\u003eJason Lytle set up a new plan when he decided to re-record the songs from Grandaddy’s \u003cem\u003eThe Sophtware Slump.\u003c\/em\u003e Twenty years ago he made this ageless record while red-eyed and running around a sweltering slipshod home studio in his boxers using some gear he planned to return to Best Buy as soon as he was done. For this new, piano-centric \u003cem\u003eThe Sophtware Slump\u003c\/em\u003e, Lytle traveled around Los Angeles, sourcing studios and pianos like a master chef selects foods from a farmer’s market. He identified three instruments and three studios that would suffice. Everything was in place. As with many best-laid plans, his were scuttled. In this case by a pandemic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo two decades after making a DIY masterpiece, Lytle found himself recording those songs again, sweating in his apartment again, trying to create a controlled environment while surrounded by chaos. “Because of the pandemic, all of the sudden, I was looking at a real deadline to make the damn thing,” he says. “Here we go, just like the old days. If you want something done right, you gotta do it yourself. Not that much has changed.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYet many things have changed since Grandaddy issued \u003cem\u003eThe Sophtware Slump\u003c\/em\u003e in May 2000. Back then, Grandaddy felt on the cusp of something: A band of underdogs pushing to reach for the sky from their modest existence in Modesto, Calif., a place like many other American towns and cities filled with those nurtured by its stasis and those seeking escape by any means. For Grandaddy – the rockers being Burtch, Dryden, Fairchild, Garcia, Lytle --escape came in the form of these songs envisioned by Lytle, a magpie drawn to some shiny objects, but also others with less luster, like a seemingly antiquated keyboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Under the Western Freeway,' released in 1997, served as a trailhead with songs about solitude and communication as well as the eeriness of a meritocracy. \u003cem\u003eThe Sophtware Slump\u003c\/em\u003e was a wide-angle progression with basement symphonics making for songs that somehow split the difference between meticulous and scruffy. But lyrically and thematically Lytle also took a big step with \u003cem\u003eThe Sophtware Slump\u003c\/em\u003e, hinting at some of the cultural tangles the rest of us wouldn’t identify until years later. In an age of unprecedented connectivity, his songs spoke to significant solitude. As technology arced ever upward, he saw built-in obsolescence, as though he popped the lid off of next year’s model and found its expiration date.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: DGB2195\u003cbr\u003eLabel: \u003cspan data-mce-fragment=\"1\"\u003eDangerbird Records\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/MXwCreLCUrU\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. He's Simple, He's Dumb, He's the Pilot (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e2. Hewlett's Daughter (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e3. Jed the Humanoid (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e4. The Crystal Lake (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e5. Chartsengrafs (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e6. Underneath the Weeping Willow (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e7. Broken Household Appliance National Forest (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e8. Jed's Other Poem (Beautiful Ground) (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e9. E. Knievel Interlude (The Perils of Keeping It Real) (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e10. Miner at the Dial-a-View (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e11. So You'll Aim Toward the Sky (Piano Version)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Grandaddy","offers":[{"title":"LP-Eco Mix Yellow","offer_id":56702098243970,"sku":"12\/06\/26-DISLAS","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/products\/GrandaddyTheSophtwareSlumpOnAWoodenPianovinyl.png?v=1610639793"},{"product_id":"embrace-avalanche","title":"Avalanche","description":"\u003cp\u003e\u003cem\u003eAvalanche\u003c\/em\u003e, Embrace's ninth studio album, arrives in 2026 as the band celebrate their 30th anniversary. Written and recorded with a renewed sense of perspective, \u003cem\u003eAvalanche \u003c\/em\u003esees the band stripping things back emotionally and sonically.\u003c\/p\u003e\n\u003cp\u003eDanny McNamara describes the record as the most honest and open work Embrace have made, choosing feel over polish and allowing songs to remain imperfect, unresolved, and human. Remarkably, the band’s line-up has remained unchanged since 1996 — a rare continuity that underpins their longevity.\u003c\/p\u003e\n\u003cp\u003eRather than offering answers, the album sits with the reality that life is fragile, overwhelming, and fleeting — and that meaning often exists in paying attention to what’s already here. Thirty years into their career, Embrace sound less concerned with legacy and more committed to capturing something real, right now.\u003c\/p\u003e\n\u003cp\u003e'We came into this album with a really simple idea: that real, deep, honest-to-God joy doesn’t live in the big, dramatic moments we’re all taught to chase. It doesn’t live in huge, unattainable goals or impressive, life-changing achievements. It lives in the small, almost invisible flashes of magic that happen when you slow down and actually live in the moment. Lyrically, I was trying to capture those little magic moments. 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A kaleidoscopic mix of pop, electronica, jazz, and R\u0026amp;B, the album features previously released singles “Goodbye Glitter,” “I Just Don’t Know You Yet,” and “No Audience,” each offering a window into the record’s emotional and sonic scope. From the viral, piano-pounding transformative catharsis of “I Just Don’t Know You Yet”  to the cinematic introspection of recent single “No Audience,” praised by Rolling Stone as “an invitation to create purely for yourself,” \u003cem\u003eParacosm \u003c\/em\u003ecements Absolutely as one of the most compelling new voices of her generation and 2026’s de facto artist to watch.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: 19802985051\u003cbr\u003e\u003c\/span\u003eLabel: RCA\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nQ5aIl_yfAw?si=qKeceXKjxA9Kl3Gr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Natural Disaster\u003cbr\u003e2. Nowhere to Hide\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. 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Featuring collaborations with H.R. of Bad Brains, Fletcher Dragge of Pennywise, G Love and more, the album stays rooted in the band’s classic sound while opening a new chapter.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: 0075678591037\u003cbr\u003eLabel: Atlantic\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9WhguJtzWuI?si=bdKX8u3XXYkVj3PO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e1. Ensenada\u003cbr\u003e2. Wizard\u003cbr\u003e3. Can’t Miss You\u003cbr\u003e4. Backwards (feat. FIDLAR)\u003cbr\u003e5. Maybe Partying Will Help Pt 1\u003cbr\u003e6. Favorite Songs (feat. Skegss)\u003cbr\u003e7. Personal Hell\u003cbr\u003e8. F.T.R.\u003cbr\u003e9. Evil Men\u003cbr\u003e10. Trey’s Song (feat. H.R. of Bad Brains)\u003cbr\u003e11. Casino Taormina\u003cbr\u003e12. 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Thanx Again\u003c\/p\u003e","brand":"Sublime","offers":[{"title":"2LP-Coke Bottle Green","offer_id":56537599377794,"sku":"12\/06\/26-DISWAR","price":46.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56537610944898,"sku":"12\/06\/26-DISWAR","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Sublime-UntilTheSunExplodes.jpg?v=1775653176"},{"product_id":"angine-de-poitrine-vol-i","title":"Vol. I","description":"Channeling the spirit of Earth’s greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music. \n\u003cp\u003eWith driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices. Their live KEXP session has racked up millions of views—and counting. At the time of writing, Fabienk sits among the 50 most Shazamed tracks worldwide. Add to that sold-out shows, international festival appearances, and vinyl pressings in the tens of thousands to keep up with demand… All of which mostly matters to humans. Angine de Poitrine, for their part, are just happy to play rock’n’roll. \u003c\/p\u003e\n\u003cp\u003eWith Vol. II, a dense, no-frills, high-impact record, the “Poitrine brothers” push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if you’re paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock.  \u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: AP1\u003cbr\u003eLabel: Spectacle Bonzai\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e1. Sherpa  \u003cbr\u003e2. Tohogd \u003cbr\u003e3. Tamebsz \u003cbr\u003e4. Ababa Hotel \u003cbr\u003e5. Sahardnieh \u003cbr\u003e6. 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Add to that sold-out shows, international festival appearances, and vinyl pressings in the tens of thousands to keep up with demand… All of which mostly matters to humans. Angine de Poitrine, for their part, are just happy to play rock’n’roll. \u003c\/p\u003e\n\u003cp\u003eWith Vol. II, a dense, no-frills, high-impact record, the “Poitrine brothers” push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if you’re paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock.  \u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: AP2\u003cbr\u003eLabel: Spectacle Bonzai\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e1. Fabienk \u003cbr\u003e2. Mata Zyklek \u003cbr\u003e3. Sarniezz  \u003cbr\u003e4. Perep Utz  \u003cbr\u003e5. Yor Zarad  \u003cbr\u003e6. 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So when it came time for Fiddlehead to work on a second record, people weren’t just curious what the songs would sound like, they were curious what they’d even be about.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBetween The Richness \u003c\/em\u003eexplodes with an energy that usurps that of \u003cem\u003eSpringtime \u0026amp; Blind\u003c\/em\u003e. The guitar riffs of Dow and Henery are their most anthemic and combustive yet, making songs like “The Years,” “Get My Mind Right,” and “Down University” not just serve as the backbone for Flynn’s personal ruminations, but empathetic, emotional musical stabs that hit the listener just as hard. 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Consisting of guitarist Alex Henery (also of Basement), vocalist Patrick Flynn and drummer Shawn Costa (both of Have Heart), Fiddlehead explore musical styles different from their other projects while bringing a familiar energetic and emotional core to the collaboration.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpringtime and Blind \u003c\/em\u003estemmed from Pat’s loss of his father. Flynn looks at how his mother coped with the situation - losing her spouse, her centre of gravity - writing the lyrics as an emotional catharsis for both of them. Like the pain both he and his mother experienced, “a wild grief so well hidden,” the songs on this album hide the pain of loss beneath a layer of punchy, energetic instrumentals.\u003c\/p\u003e\n\u003cp\u003eWhile the process of writing and recording helped Flynn cope with his personal loss there’s no doubt it carries a universal message that can help ease others’ loneliness. 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Over the years, the existence of this project has seen coverage in outlets including Vice, Revolver, NME, Kerrang!, and countless others, and the fans have only grown louder in their demand to hear this album. Now over 15 years later, the fans will finally get to experience it for themselves.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: LOYW013\u003cbr\u003eLabel: Look Outside Your Window\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. 11th March\u003cbr\u003e2. Moth\u003cbr\u003e3. Dirge\u003cbr\u003e4. Christina\u003cbr\u003e5. Is Real\u003cbr\u003e6. Away\u003cbr\u003e7. In Reverse\u003cbr\u003e8. Toad\u003cbr\u003e9. Juliette\u003cbr\u003e10. 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Their debut album, \u003cem\u003eEngland Made Me\u003c\/em\u003e, was released on Chrysalis Records in 1998.\u003c\/p\u003e\n\u003cp\u003eThe album was named after the eponymous Graham Greene novel and fuses indie rock and easy-listening pop stylings with lyrics that explore life and the experience of growing up in England.\u003c\/p\u003e\n\u003cp\u003ePitchfork's Michael Sandlin described the sound of the album as \"mildly morose but slightly tongue-in-cheek Sylvia Plath-meets-Paul McCartney pop sensibility\". \u003cem\u003eEngland Made Me\u003c\/em\u003e remains a high point in the band's catalogue with standout tracks including 'Kidnapping An Heiress', 'Girl Singing In The Wreckage', and the single 'Child Psychology' which was recently back in the spotlight with a viral moment on socil media.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: CRV2354\u003cbr\u003eLabel: Chrysalis Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HN8CPj9AkX4?si=WcUhAhfXYWuuLvg0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. 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Delivering incredibly tight mambo rhythms, Puente knew how to get his traditional southern American music across.\u003c\/p\u003e\n\u003cp\u003eHelped by an impeccable, vivid stereo production (as part of RCA's aptly named original \"Living Stereo\" series), this infectious mix of Latin dance tracks will get anyone up on their feet.\u003c\/p\u003e\n\u003cp\u003eFeaturing the inimitable Ray Baretto on percussion, \u003cem\u003eDance Mania\u003c\/em\u003e does exactly what the title says: shake your derriere like you just don't care! This record should belong in everyone's jazz, soul or Latin music record collection.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: MOVLPG728\u003cbr\u003eLabel: Music On Vinyl\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. El Cayuco\u003cbr\u003e2. Complicacion\u003cbr\u003e3. 3-D Mambo\u003cbr\u003e4. Llego Mijan\u003cbr\u003e5. 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In fact, the album included samples from the film The Last Temptation of Christ, which was itself accused of blasphemy. But the band was hardly standing still, as the gobsmacking guitar pyrotechnics of Eric and Brian Hoffman and furious fusillades of bassist\/vocalist Glen Benton and drummer Steve Asheim became ever more awe-inspiring and, dare we say it, miraculous. \u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: LPRGM2084C\u003cbr\u003eLabel: Real Gone Music\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA1. Once Upon the Cross\u003cbr\u003eA2. Christ Denied\u003cbr\u003eA3. When Satan Rules His World\u003cbr\u003eA4. Kill the Christian\u003cbr\u003eA5. Trick or Betrayed\u003cbr\u003eB1. They Are the Children of the Underworld\u003cbr\u003eB2. Behind the Light Thou Shall Rise\u003cbr\u003eB3. To Be Dead\u003cbr\u003eB4. 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Very first compilation focusing on the golden age of these island’s sounds, the 16 tracks selected will surely set fire on all dance floors.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLéve-Léve\u003c\/em\u003e is the first ever compilation devoted to music from São Tome and Principe, two small islands situated off the coast of Gabon in central Africa. The album unravels a story of liberation where the music of Africa, Europe and the Americas unify with a carefree spirit personified by a phrase the islanders use all the time: “léve, léve” (“take it easy”). With echoes of Angolan semba and merengue, of Brazilian afoxê, of coladeira from Cape Verde and dance music from the Caribbean, it is a sound fiercely proud of its island heritage, sung in local dialects and using distinctive local rhythms.\u003c\/p\u003e\n\u003cp\u003eOn this record you can hear the cultural and social history of São Tome and Principe, and how live music represented its beating heart. Once known as the “Chocolate Islands” (remarkably, these two tiny islands were the largest cocoa producers in the world, though now this title acts as a reminder of its colonial past), through the years leading up to independence from Portugal, music would be a fundamental voice of liberation and conviviality. Os Úntués were one of the first groups to make an impression, releasing a couple of 7 inches in Angola – the litmus test of success for any of the islands’ groups. They united unique rhythms and dances like socopé, puita and dança-congo – borne from the islands’ largely slave-descendant population – with the sound of pop music beamed in on the radio from Europe, even adding in a little bit of soukous and Brazilian instrumentation. Their main rivals were Conjunto Mindelo, who fused São Toméan rhythms with rebita, an Angolan style, to create high energy puxa, a truly original island rhythm.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1970s, coinciding with independence from Portugal in 1975, the islands’ groups featured an even stronger African influence and nowhere was that more apparent than with Africa Negra. They would listen to the latest records from Gabon, Zaire and Cameroon, taking inspiration and trying out phrasing from the greats of Central African guitar playing, developing a devoted fan base off the islands, as well as on. 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This time, the distant-future reveries we first heard on \u003cem\u003eBoard Up The House\u003c\/em\u003e give way to an unsettling awareness of the present we’re actually living, as our circumstances grow too pressing to try and escape.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSignal Fire\u003c\/em\u003e envisions a Kojima-esque dystopia of endless proxy warfare,\" says vocalist and lyricist Tony Wolski (The Armed), \"where the deluge of available information has outmoded the human ability to parse it.  A world where those amoral, shameless and cunning enough can literally reshape reality at their whim through sheer insistence.\"\u003c\/p\u003e\n\u003cp\u003eHaving roared onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness, Genghis Tron are no strangers to making a forceful impression. But \u003cem\u003eSignal Fire\u003c\/em\u003e marks the first time bandleaders Michael Sochynsky and Hamilton Jordan – joined again by Wolski and Nick Yacyshyn (SUMAC) on drums, plus newcomer Kenny Szymanski (The Armed) on bass – has captured this level of urgency with such  visceral precision.  \"This album is very much rooted in the now,\" confirms Jordan.\u003c\/p\u003e\n\u003cp\u003eTwenty years into their career, having proven their ability to forge common ground between Ministry and Aphex Twin, between Brutal Truth and Boards Of Canada, between Cluster and Converge, ugly-beautiful new genre hybrids from Genghis Tron no longer come as a surprise.  What’s remarkable, however, is how Sochynsky and Jordan have taken a project that started in 2004 as a dorm-room genre-pastiche experiment (”a chaotic, wild amalgamation of all our favorite stuff, literally slammed together\") and refined their songwriting craft to deliver a sound that is unmistakably their own. \u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: RR76391\u003cbr\u003eLabel: Relapse Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/A2er3iZ2XPE?si=hv6c3i0OEfYrGRBx\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e1. 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