{"title":"13\/03\/26","description":"","products":[{"product_id":"nala-sinephro-the-smashing-machine-ost","title":"The Smashing Machine OST","description":"\u003cp\u003eComposer Nala Sinephro presents \u003cem\u003eThe Smashing Machine (Original Motion Picture Soundtrack)\u003c\/em\u003e. The film, directed and written by Benny Safdie, tells the story of prolific UFC fighter Mark Kerr.\u003c\/p\u003e\n\u003cp\u003eReleased: January 2026\u003cbr\u003eCat: WARPLP408\u003cbr\u003eLabel: Warp Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/O5iroWFGfcA?si=6rvW63hn_4GwMO9f\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Dawn\u003cbr\u003e2. Grand Prix\u003cbr\u003e3. The Smashing Machine\u003cbr\u003e4. The High\u003cbr\u003e5. Mark\u003cbr\u003e6. KO\u003cbr\u003e7. Mark II\u003cbr\u003e8. Dawn II\u003c\/p\u003e","brand":"Nala Sinephro","offers":[{"title":"2LP-Black","offer_id":55740760228226,"sku":"23\/01\/26-DISPIA","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55740779299202,"sku":"23\/01\/26-DISPIA","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/WARP408_Packshot_V6_3000.jpg?v=1759237361"},{"product_id":"the-orielles-only-you-left","title":"Only You Left","description":"\u003cp\u003e“You’ve got to die and be reborn between albums,” begins Henry Wade, guitarist for The Orielles, describing the foundations of the band’s fourth studio album, \u003cem\u003eOnly You Left\u003c\/em\u003e. “It comes naturally,” adds singer and bassist Esmé Hand-Halford, “it’s not something we consciously do.”\u003c\/p\u003e\n\u003cp\u003eThrough this process of creative renewal, the Manchester-based trio – completed by drummer Sidonie Hand-Halford – have managed to weather a pandemic, defy the fickleness of a trend-led music industry, and emerge, phoenix-like, with something familiarly Orielles, yet altogether different.\u003c\/p\u003e\n\u003cp\u003eRecorded in two locations – Hydra and Hamburg – over the summer of 2024, the 11 tracks of \u003cem\u003eOnly You Left\u003c\/em\u003e sees the band consolidate the bold experimentation of their previous LP, \u003cem\u003eTableau \u003c\/em\u003e(2022), with a return to the more stripped-back, song-led approach of their early origins.\u003c\/p\u003e\n\u003cp\u003e“There’s nothing more trad than a three-piece,” quips Henry, in reference to the band’s decision to return to their roots as a trio. Originally from Halifax, the Orielles first came to recognition in 2018 with their debut album, the indie-rock Silver Dollar Moment, which is approaching its eighth birthday in February 2026. “These things come in like seven year cycles. So we've come in like a full circle back to a familiar place, just as different people.”\u003c\/p\u003e\n\u003cp\u003eBy exploring binaries and contrasts, the Orielles are finding shapes in the chaos and confusion of the world around us – it’s an undertaking that benefits from more than 15 years of close collaboration, driven by friendship and the artistic compulsion to find meaning in music.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003eHVNLP231D\u003c\/span\u003e\u003cbr\u003eLabel: Heavenly Recordings\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Bb9r15dAILs?si=2QNmGi41lyB8lVOL\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1A. Three Halves\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2A. Shadow of You Appears\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3A. Tears Are\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4A. Embers\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5A. Tiny Beads Reflecting Light\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e6B. The Woodland Has Returned\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e7B. All in Metal\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e8B. You are Eating a Part of Yourself\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e9B. Whatever (I May Not Feel So Close)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10B. Wasp\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11B. To Undo the World Itself\u003c\/span\u003e\u003c\/p\u003e","brand":"The Orielles","offers":[{"title":"LP-Black","offer_id":55886345175426,"sku":"13\/03\/26-DISPIA","price":21.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55886352187778,"sku":"13\/03\/26-DISPIA","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Orielles_-_Only_You_Left_-_2026.webp?v=1761743380"},{"product_id":"converge-love-is-not-enough","title":"Love Is Not Enough","description":"\u003cp\u003eIt seems unlikely that anyone who has been making music for more than three decades would create one of their best works for their eleventh album. And yet \u003cem\u003eLove is Not Enough\u003c\/em\u003e might be the apotheosis of Converge’s decades-long journey through the punk, hardcore and metal microcosm. What vocalist\/lyricist Jacob Bannon, guitarist\/producer Kurt Ballou, bassist\/vocalist Nate Newton and drummer Ben Koller have created is a strident artistic statement on the turmoil of living that hones their collective strengths to a razor’s edge.\u003cbr\u003e\u003cbr\u003eFrom the opening fusillade of the title track to the closing hurricane of “We Were Never the Same,” \u003cem\u003eLove Is Not Enough\u003c\/em\u003e is a sonorous balance of vitality and viciousness that reflects the chaos and uncertainty of the times we live in. “There’s always obstacles in the world,” Bannon says. “Personal, professional, economical, whatever. But I feel like we’re in a pressure cooker somewhere on our evolutionary line. It’s a lot just to be a human being in the modern world, trying to function, maintain, grow, have empathy, have compassion. It takes more than it used to, to do all those things.” The album title itself says everything about the trials of today. “The line ‘Love is not enough’ is something I had kicking around for a while,” Bannon says. “Some of the things I wrote at the time were from a human resilience perspective, an acceptance of the brutality and unforgiving nature of the world. I was reflecting on that in poetic form and set it aside. When we got into the studio, it all fit together.”\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e was recorded and mixed by Kurt Ballou at God City in Salem,  Massachusetts, with engineering assistance from Zach Weeks. Jacob Bannon did the artwork and design, creating an image for each song and a commanding cover depicting a celestial witness to a world aflame. “We still identify this band as the outlet that’s essential to our lives,” Bannon says. “We give everything we have to it. Being past your average middle age, we’re starting to see deeper than before into a variety of places. And I don’t think that’s specific to us. I think that’s something that’s utterly relatable.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: February 2026\u003cbr\u003eCat: DW266V1\u003cbr\u003eLabel: Deathwish Inc.\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/g_mRn2kn2p4?si=ihYSULVJKoGqbBom\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e01. Love Is Not Enough\u003cbr\u003e02. Bad Faith\u003cbr\u003e03. Distract and Divide\u003cbr\u003e04. To Feel Something\u003cbr\u003e05. Beyond Repair\u003cbr\u003e06. Amon Amok\u003cbr\u003e07. Force Meets Presence\u003cbr\u003e08. Gilded Cage\u003cbr\u003e09. Make Me Forget You\u003cbr\u003e10. 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Their name reflects their fixation on identity, desperation, and survival under late capitalism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAttempted Martyr \u003c\/em\u003ewas written in the midst of global and personal turmoil, capturing the zeitgeist of a world unraveling. A loose concept record, it chronicles the rise and fall of a doomed zealot whose pursuit of holy vengeance spirals into a psychotic orgy of violence, greed, and lust. It’s dense, turbulent, and charged with blaring Middle Eastern, African and East Asian influences - all scorched into shape by producer Chris Koltay (The Armed, Mdou Moctar).\u003c\/p\u003e\n\u003cp\u003eWith mounting online buzz, critical acclaim and a run of sold-out bootleg editions, Prostitute’s debut continues to gain momentum – now available on red vinyl and CD.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: STUMM521\u003cbr\u003eLabel: Mute\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jyRfXcuimnA?si=45Kg3nTtxs8i5qUr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eSide A\u003cbr\u003e1. Attempted Martyr\u003cbr\u003e2. All Hail\u003cbr\u003e3. Judge\u003cbr\u003e4. M. Dada\u003cbr\u003e5. 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Previous examinations of the Revival and Big Mack la- bels turned up more than a few new apocryphal hymns, and \u003cem\u003eGreat Lakes Gospel Vol. 2\u003c\/em\u003e compiles a dozen curious church groups devotionally reaching towards the genre’s frayed edge. Get lost in ecstatic choir funk, pulpit rappin’, direct-injection guitar solos, and the holy spirit, should it move you. Look around the room. You could start a church with this thing.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: NUM536LP\u003cbr\u003eLabel: Numero Group\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003eSIDE A\u003cbr\u003e1. Voices of Conquest - O Yes My Lord\u003cbr\u003e2. Ada Richards - I’m Drunk \u0026amp; I’m Real High (In The Spirit Of God)\u003cbr\u003e3. The Gospel Supremes - Sinnerman\u003cbr\u003e4. Mighty Voices Of Wonder - I Thank The Lord\u003cbr\u003e5. The Mighty Walker Brothers - God’s Been Good To Me\u003cbr\u003e6. The Apostles Of Music - Wade In The Water\u003cbr\u003e7. LaVice \u0026amp; Company - Thoughs Were The Days\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e1. Calvin Cooke - Walk With Me\u003cbr\u003e2. Deliverance Echoes - Heaven\u003cbr\u003e3. Liz Davis - Motherless Child\u003cbr\u003e4. The Soul Superiors - Faith\u003cbr\u003e5. Otis G. Johnson - Time To Go Home\u003cbr\u003e6. 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The song brings out a poetic tension in Gordon’s voice. “I started singing in a way I hadn’t sung in a long time,” she says. “This other voice came out.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePLAY ME \u003c\/em\u003eis distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says of her continued collaboration with LA producer Justin Raisen (Charli XCX, Sky Ferreira, Yves Tumor). “We wanted to do it really fast. It’s more focused, and maybe more confident. I always kind of work off of rhythms, and I knew I wanted it to be even more beat-oriented than the last one. Justin really gets my voice and my lyrics and he understands how I work—that came forth even more on this record.”\u003cbr\u003e\u003cbr\u003eThe fast-following \u003cem\u003ePLAY ME\u003c\/em\u003e processes, in Gordon’s inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture - where dark humor voices the absurdity of modern life. But despite its frequent outward gaze, \u003cem\u003ePLAY ME\u003c\/em\u003e is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: OLE2198LPE\u003cbr\u003eLabel: Matador\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/M8_2lYNURu4?si=HCbmEdUipA--ilq1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. PLAY ME\u003cbr\u003e2. GIRL WITH A LOOK\u003cbr\u003e3. NO HANDS\u003cbr\u003e4. BLACK OUT\u003cbr\u003e5. DIRTY TECH\u003cbr\u003e6. NOT TODAY\u003cbr\u003e7. BUSY BEE\u003cbr\u003e8. SQUARE JAW\u003cbr\u003e9. 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Produced by Ethan Johns (Paul McCartney, Ray LaMontagne); \u003cem\u003eThe Wake\u003c\/em\u003e brings Emmy-award winning Vance’s gritty vocal to a potent convergence of folk, soul and Southern blues. In his intimate exploration of the human condition, the result is the purest distillation of his truly singular artistry, imparting defiant joy into songs of longing and loss and hard-won acceptance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 7274523 \u003cbr\u003eLabel: Concord\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XjeWo0sbI5s?si=1VkB5r4g35A_nt3u\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. A.I.\u003cbr\u003e2. Hi, I’m The Preacher’s Son\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. 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Produced by Jeff Tweedy at Wilco’s Loft studio, \u003cem\u003eTransmitter \u003c\/em\u003emarks a deepening of Clarke’s abilities and the convergence of two artists whose work searches for grace amid dislocation. These are places shaped by the myth of self-reliance, where people sold the idea of connection through technology have been reduced to quiet transmitters—data points bought and sold, manipulated and measured, their lives distorted through the very networks meant to unite them.\u003c\/p\u003e\n\u003cp\u003eThe first signs of \u003cem\u003eTransmitter \u003c\/em\u003ecame when Cut Worms were on the road supporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft’s warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. While Clarke’s voice and writing formed the framework, Tweedy’s guitar and bass lines sketched the rooms the songs inhabit. Tweedy’s presence as a producer revealed itself not in heavy-handed choices but in how he colored spaces and continually offered new textures. Between them, their like-minded sensibilities bridged a generational gap to create something more nuanced than either might have made alone.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransmitter \u003c\/em\u003efinds Clarke in full stride, writing with the conviction of someone who’s made peace with uncertainty. These songs reckon with the cost of comfort and return to the idea that beauty, connection, and love are not luxuries but necessities for survival. Clarke is drawn to paradox—the friction between intimacy and escape, faith and doubt, shadow and light. His forgiveness, like the cut worm’s, comes through transference: the act of releasing something fragile into the noise and trusting it might still be felt.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: JAG489LP\u003cbr\u003eLabel: Jagjaguwar\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dbWx_LjgiKg?si=aDwMlBMDE3BTQS_x\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Worlds Unknown\u003cbr\u003e2. Evil Twin\u003cbr\u003e3. Long Weekend\u003cbr\u003e4. Barfly\u003cbr\u003e5. Windows on the World\u003cbr\u003e6. Walk in an Absent Mind\u003cbr\u003e7. Don’t Look Down\u003cbr\u003e8. Shut In\u003cbr\u003e9. Out of Touch\u003cbr\u003e10. 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Drawing from the tumultuous nature of the American political and cultural landscape, the band explores new sonic territory while simultaneously referencing their roots and doubling down on their signature groove. \u003cem\u003eInto Oblivion \u003c\/em\u003eis a blistering manifestation of decades of exploring, refining, and pioneering the metal of the 21st century. \u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 19958406661\u003cbr\u003eLabel: Century Media\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QIKEy_xgBjk?si=DsFdNXADaHZn5wrQ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Into Oblivion \u003cbr\u003e2. Parasocial Christ \u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. 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Also featuring guest appearances from José González \u0026amp; Sulafa Elyas.\u003c\/p\u003e\n\u003cp\u003eFierce advocates for their people’s nomadic culture that exists in the desert borderlands between Mali and Algeria, Tinariwen’s bluesy, guitar-driven music has found global acclaim over the past two decades for its lively blend of Tamasheq-language politicism, syncopated rhythms and soaring melody.\u003c\/p\u003e\n\u003cp\u003eWhile previous records like 2023’s \u003cem\u003eAmatssou \u003c\/em\u003esaw the group collaborate with Bob Dylan and Willie Nelson producer Daniel Lanois, on \u003cem\u003eHoggar \u003c\/em\u003ethe band look closer to home, and stake their claim as elders of this Tuareg musical tradition. 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He explores the tension between intimacy and isolation, the pressure to curate and perform even as everything, inside and out, feels fragile and precarious. Themes of reflection, both literally and metaphorically, run through the record’s visual presentation, as Blake holds a mirror to the contradictions of modern connection - how we see ourselves, how we’re seen by others, and what gets lost in between. It’s about the disorienting loop of joy and dread: feeling safe in love, yet knowing the bubble could burst at any moment; struggling to stay present while global anxiety and private doubt pull you in different directions. 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