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Paphides wanted to know if Owens had made more recordings of the group in a similar heavier roots reggae vein to those on their debut single. Happening upon the message by chance three years later, Owens allowed Needle Mythology access to his archive of quarter-inch tapes, dating back as far as 1978.\u003cbr\u003e\u003cbr\u003eFeaturing thorough liner notes based on extensive interviews with Toney Owens and Musical Youth guitarist and co-vocalist Kelvin Grant, \u003cem\u003eMash Down Birmingham: The Early Recordings Of Musical Youth \u003c\/em\u003eis not only an important slice of musical and social history – but also an important corrective to the misconception that Musical Youth’s musicianship was anything less than exemplary. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: NEMYLP024\u003cbr\u003eLabel: Needle Mythology\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. 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Already riding high on Nitrous Oxide and booze supplied by the sponsoring radio station, this unaware horde was expecting to see a slick cover band churning out renditions of Bad Company hits, only to be subjected to an act of subversive performance art that would send the growingly aggravated crowd into eventual meltdown. Physical threats ensued, but Devo played on.\u003c\/p\u003e\n\u003cp\u003eSpanning 2xLP’s of unreleased live material, most of which has never been heard before, this wondrous performance draws purely from that integral early history. Mixed and mastered directly from recordings kept in the bands personal vaults, this live collection showcases why Devo was, and still is, one of the most important bands in American history. De-evolution is real. The art of DEVO is real. 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For him, songs are far more than background elements; they are essential storytelling tools. While preparing a film, he listens to countless tracks, using them to shape each scene's tone, rhythm, and emotional pulse. Some make it onto the official soundtrack; others never reach the final cut, yet still influence the creative process, helping define the atmosphere and emotional core of his work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: 101052\u003cbr\u003eLabel: New Continent\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. The Revels - Comanche (1961) From \u003cem\u003ePulp Fiction\u003c\/em\u003e\u003cbr\u003e2. Duanne Eddy - Peter Gunn (1959) From \u003cem\u003eThe Adventures Of Cliff Booth\u003c\/em\u003e\u003cbr\u003e3. Chuck Berry - School Days (1957)\u003cbr\u003e4. Johnny Cash - So Doggone Lonesome (1955)\u003cbr\u003e5. 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Revised artwork by Molly Smith with extensive liner notes from Arthur’s partner Tom Lee.\u003c\/p\u003e\n\u003cp\u003eWhile much critical and popular affection for Russell’s music has come about well after his untimely death from AIDS in 1992, many fellow artists believed in his genius and were drawn to collaborate with him during his lifetime. The legendary producer John Hammond (Billie Holiday, Bob Dylan, Bruce Springsteen) recorded Russell on several occasions; a number of these recordings now heard on\u003cem\u003e Love Is Overtaking Me\u003c\/em\u003e, along with songs recorded with various incarnations of The Flying Hearts, a group formed by Russell and Ernie Brooks whose shifting lineup included, by turns, Jerry Harrison, Rhys Chatham, Jon Gibson, Peter Gordon and Peter Zummo as well as Larry Saltzman and David Van Tieghem. 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For centuries, the wolf Isegrim was stigmatized as the incarnation of heresy, danger, and a threat to humanity and Christianity. This demonization led to relentless persecution and nearly to the extinction of the animal. A. Blackwar reverses this view: it is not the animal that is evil, but humanity itself. Over the past 35 years, traditional black metal has split into numerous styles. It is now rare to find artists who focus on the original essence of this genre: fast, aggressive, and anti-Christian music. \u003cbr\u003e\u003cbr\u003eA. Blackwar has been an active part of the black metal scene since 1992 and is considered a long-time co-creator of extreme metal culture. Over four decades, he has been involved in numerous bands and projects, shaping their sound with a consistent commitment to darkness, aggression, and authenticity. With \u003cem\u003eISEGRIM\u003c\/em\u003e, A. Blackwar returned to his roots. When the band was founded in 1998, he was its sole member—a role he once again assumes today. In this original constellation, he consistently continues and further develops the traditional and occult spirit of black metal. His musical path is characterized by consistency, discipline, and an uncompromising dedication. This attitude is also reflected in the dark message of the first album from 1999, which is now being released on vinyl for the first time via Fireflash Records (Holy Moses, Sacriversum, etc.) and includes three bonus tracks. Among them is the magnificent Destruction cover of “Bestial Invasion.”\u003cbr\u003e\u003cbr\u003eThe vinyl is strictly limited to 300 copies in “Witchcraft Red” and includes a 4-page insert, a signed autograph card, and an Isegrim sticker\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: FF23VR \u003cbr\u003eLabel: Fireflash Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA1. In Nomine (Intro) \u003cbr\u003eA2. Diabolical Witchcraft \u003cbr\u003eA3. Rape Jesus Christ \u003cbr\u003eA4. Seven Legions \u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eB5. Hear The Screams Of Hell \u003cbr\u003e\u003c\/span\u003eB6. Ave Luciferi (Intro) \u003cbr\u003eB7. Hail Emperor Caesar \u003cbr\u003eB8. 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Having pioneered the genre and forged heavy metal culture, Judas Priest have sold more than 50 million albums since forming in 1969, impacting music with unforgettable anthems such as ‘Breaking The Law’, ‘You’ve Got Another Thing Coming’, ‘Electric Eye’, ‘Turbo Lover’ and ‘Painkiller.’ This career-spanning collection offers a strong starting point for new listeners to immerse themselves within Judas Priest’s enduring legacy, as well as a tailored collection for longtime fans to revisit their favourite songs from the global rock legends.\u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: 19958434091\u003cbr\u003eLabel: CMG\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLP:\u003c\/strong\u003e\u003cbr\u003eSide A\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. You’ve Got Another Thing Coming\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. 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This new edition will be available on limited translucent vinyl and CD, both with updated art from Studio Torsten Posselt utilising the original drawing from renowned British sculptor and Simon Jeffes’ partner Emily Young.\n\u003cp\u003ePenguin Cafe was founded by Arthur Jeffes in 2009, bringing together a talented and disparate group of musicians initially to perform his father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997. Following the release of\u003cem\u003e A Matter of Life s\u003c\/em\u003ehortly after founding, \u003cem\u003eThe Red Book\u003c\/em\u003e was released in 2014 to critical and fan acclaim.\u003c\/p\u003e\n\u003cp\u003e“The name \u003cem\u003eThe Red Book\u003c\/em\u003e comes from the book by Karl Jung of the same name. The book is about, among other things, the way our subconscious interacts with and intrudes into our daily lives. 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It's Just That Song\u003c\/p\u003e","brand":"The Cramps","offers":[{"title":"LP-Metallic Gold","offer_id":56696961139074,"sku":"19\/06\/26-DISFMD","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/bba82c33-4fe6-dca4-1693-0b4940b4499a.jpg?v=1781010526"},{"product_id":"cramps-look-mom-no-head-2025-reissue","title":"Look Mom No Head (2025 Reissue)","description":"Out of print since 2014!! Look Mom No Head! dresses rock ʼnʼ roll in its full regalia, with its many knobs, buttons and doo-dads. Man! The electric guitar sounds like it might launch a rocket! Replete with celebrations of intoxication and sexual prowess, The Cramps’ 1991 album sports “Dames, Booze, Chains and Boots” from the movie Hold Me, Thrill Me, Kiss Me, a torchy rendition of Jack Nitzscheʼs slow-fuck blues “Hardworkinʼ Man” and the cross-dressing classic “I Wanna Get In Your Pants.” Minutes after Lux Interior ran into Iggy Pop buying beer next door to the recording studio, the two ended up singing “Miniskirt Blues” together.\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: VEN673\u003cbr\u003eLabel: Vengeance\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Dames, Booze, Chains And Boots 2. Two Headed Sex Change 3. Blow Up Your Mind 4. Hardworkin' Man 5.  Miniskirt Blues 6. Alligator Stomp 7. I Wanna Get In Your Pants 8. Bend Over, I'll Drive 9. Don't Get Funny With Me 10. Eyeball In My Martini 11. Hipsville 29 B.C. 12. 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Subtitled “Edition I \u0026amp; II” to reflect the two complete takes recorded at the session — and presented together on LP for the first time — the piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde.\u003c\/p\u003e\n\u003cp\u003eRecorded on June 28, 1965, at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltrane’s tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound.\u003c\/p\u003e\n\u003cp\u003eInitially controversial for its intensity and freedom, \u003cem\u003eAscension \u003c\/em\u003ehas since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltrane’s artistic legacy\u003c\/p\u003e\n\u003cp\u003eReleased: June 2026\u003cbr\u003eCat: 95711798\u003cbr\u003eLabel: Verve\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eLP 1 - Ascension (Edition I)\u003cbr\u003eSide A\u003cbr\u003e1. Ascension (Part 1)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e2. 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