{"title":"20\/06\/25","description":"","products":[{"product_id":"tropical-fuck-storm-fairyland-codex","title":"Fairyland Codex","description":"\u003cp\u003eGenre-bending Tropical Fuck Storm present their highly anticipated fourth album, \u003cem\u003eFairyland Codex\u003c\/em\u003e, on their new label home Fire Records. Recorded with co-producer Michael Beach at the band’s Dodgy Brothers studio in Nagambie, Australia, the songs on \u003cem\u003eFairyland Codex\u003c\/em\u003e immerse us in the chaos of a fateful landslide, picking out the characters that litter the impending collapse of society.\u003c\/p\u003e\n\u003cp\u003eAcidic, acerbic, anarchic; Tropical Fuck Storm's command of wordplay, undercut by snarling guitars, pulsing rhythms, and explosive salvos, populates a hinterland between light and dark. The vocal interplay between Liddiard and the soaring harmonies of Kitschin and Dunn creates a teetering balancing act that’s intensified by the frantic narratives that evolve from their collective psyche.\u003c\/p\u003e\n\u003cp\u003eTropical Fuck Storm formed when guitarist and vocalist Gareth Liddiard and bassist and vocalist Fiona Kitschin’s previous band, The Drones, went on hiatus in 2016. Joined by guitarist, keyboardist, and vocalist Erica Dunn and drummer Lauren Hammel, the group has released a string of critically acclaimed albums and gained a reputation for their incendiary live shows.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: FIRELP789M\u003cbr\u003eLabel: Fire Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Z4fWtXQrJ00?si=1sXfWykIMnF6Z4j5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA1. Irukandji Syndrome\u003cbr\u003eA2. Goon Show\u003cbr\u003eA3. Stepping on a Rake\u003cbr\u003eA4. Teeth Marché\u003cbr\u003eA5. Fairyland Codex\u003cbr\u003eB1. Dunning Kruger's Loser Cruiser\u003cbr\u003eB2. Bloodsport\u003cbr\u003eB3. Joe Meek Will Inherit the Earth\u003cbr\u003eB4. Bye Bye Snake Eyes\u003cbr\u003eB5. Moscovium\u003c\/p\u003e","brand":"Tropical Fuck Storm","offers":[{"title":"LP-Magenta","offer_id":55043735191938,"sku":"20\/06\/25-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":55043763077506,"sku":"20\/06\/25-DISCAR","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55043767435650,"sku":"20\/06\/25-DISCAR","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/f3dfa8c4-bfc8-d5a7-aa2a-926c2930ff10.jpg?v=1742297589"},{"product_id":"gorillaz-tomorrow-comes-today","title":"Tomorrow Comes Today","description":"\u003cp\u003eReleased in November 2000, the \u003cem\u003eTomorrow Comes Today\u003c\/em\u003e EP returns to celebrate 25 years of Gorillaz. Pressed on 140g white and blue colour-in-colour 12” vinyl for the first time, the EP is housed in a single sleeve featuring the original cover artwork. Side 1 includes the singles Rock The House and the title track Tomorrow Comes Today, both of which later appeared on Gorillaz' self-titled debut album. Side 2 features a rare English-language version of Latin Simone alongside 12D3, completing the EP.  Each vinyl is individually hand pressed, making every copy unique.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003e5021732717696\u003c\/span\u003e\u003cbr\u003eLabel: Warner\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PiNdcBg3xC8?si=thRWnYTVMeW_jdLI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Tomorrow Comes Today\u003cbr\u003e2. Rock The House\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. 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This entails some of their boldest moves to date, such as incorporating modular synthesizers into their sound more than ever before. For the first time, GoGo Penguin expanded their familiar three-man formation to invite guest players, including the Manchester Collective led by creative director and violinist Rakhi Singh. Additionally, “Forgive The Damages” features the debut appearance of a human voice on a GoGo Penguin recording, belonging to singer-songwriter Daudi Matsiko. \u003c\/p\u003e\n\u003cp\u003eAll told, \u003cem\u003eNecessary Fictions\u003c\/em\u003e is an album of ambitious fresh developments from a band fully at ease with who they are: confident enough to open the door to collaboration, excited about where they can explore next, and keen to have fun doing so.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: 19802899701\u003cbr\u003eLabel: Sony\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uFA2n9TWovQ?si=jk9oLWpAtCld07C5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Umbra\u003cbr\u003e2. Fallowfield Loops\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. 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The 15-track album was produced by Rostam Batamanglij and Danielle Haim. The album radiates the raw energy of seasoned performers whose deep reverence for classic rock shapes songs that are built for live performances.\n\u003cp\u003eI quit is the first new album since the band’s 2020 album Women In Music, Pt. III, which earned them a Brit Award for International Group. The album received two GRAMMY Award nominations, including the prestigious “Album of the Year” recognition. With this nomination, HAIM became the first all-female rock group to be included in the GRAMMY’s top category. Women In Music, Pt. 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It featured another Peter Saville-designed sleeve but was a consciously more melodic effort than its experimental predecessor (Dazzle Ships) and was a significant success, charting across Europe and hitting the top 10 at home in the UK.\u003c\/p\u003e\n\u003cp\u003eProduced by the band and Brian Tench (with additional contributions by Tony Visconti), it was recorded at a variety of locations including AIR Studios in Montserrat, which had a newly-acquired, state-of-the-art Fairlight CMI sampler keyboard, and Wisseloord in Hilversum, Netherlands.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: 7577829\u003cbr\u003eLabel: UMR\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eLP1 Side A\u003cbr\u003e1. Junk Culture \u003cbr\u003e2. Tesla Girls\u003cbr\u003e3. Locomotion \u003cbr\u003e4. Apollo \u003cbr\u003e5. Never Turn Away \u003cbr\u003e\u003cbr\u003eLP1 Side B\u003cbr\u003e6. Love And Violence \u003cbr\u003e7. Hard Day \u003cbr\u003e8. All Wrapped Up \u003cbr\u003e9. White Trash \u003cbr\u003e10. Talking Loud And Clear \u003c\/p\u003e","brand":"Orchestral Manoeuvres In The Dark","offers":[{"title":"LP-Black","offer_id":55173547196802,"sku":"20\/06\/25-DISUNI","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/junk_culture_cover.jpg?v=1746277754"},{"product_id":"yungblud-idols","title":"Idols","description":"\u003cp\u003eHaving sold out tours and headlined festivals around the globe, including his own music festival, Yungblud is set to release his highly anticipated fourth album \u003cem\u003eIdols \u003c\/em\u003eon June 20. With number-one albums in seven countries and a reputation for defying convention, Yungblud describes \u003cem\u003eIdols \u003c\/em\u003eas “a project with no limitations,” marking his boldest and most ambitious work yet.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: 7818035\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: EMI\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WfwUrz7s_Vg?si=Mmhle2uj2FNlJLUx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Hello Heaven, Hello\u003cbr\u003e2. Idols Pt. I\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Lovesick Lullaby\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. 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Supermoon\u003c\/span\u003e\u003c\/p\u003e","brand":"YUNGBLUD","offers":[{"title":"LP-'Silvermoon' Silver w\/ Alternate Cover","offer_id":55182049116546,"sku":"20\/06\/25-DISUNI","price":30.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":55182069956994,"sku":"20\/06\/25-DISUNI","price":27.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55182071333250,"sku":"20\/06\/25-DISUNI","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/YUNGBLUD_Idols_Cover.jpg?v=1746609386"},{"product_id":"julie-driscoll-brian-auger-open-2025-reissue","title":"Open (2025 Reissue)","description":"Released in 1967, Open marked a bold debut for Brian Auger \u0026amp; The Trinity, featuring the dynamic vocals of Julie Driscoll. Music and its makers were rapidly evolving in ‘67, the UK's Jazz and R\u0026amp;B scenes were being influenced by pop and psychedelia and socially, musicians of many styles found common ground in London’s clubs like The Cromwellian and The Scotch Of St James where the The Beatles, US legends Wilson Pickett and Jimi Hendrix mingled with the capitals jazzers and pop stars, often loudly jamming together in even louder 'Lord Byron' shirts. 'Open' fully embraced this spirit by fusing together those genres and attitudes of the era. From the outset Auger displays his jazz rooted approach on the A side with 'In and Out' and 'Isola Natale' (later covered by one of his American jazz heroes Richard ‘Groove’ Holmes). Both showcase the Trinity's musicianship and Brian's improvisational flair. Auger himself takes on vocal duties on the raucous ‘Black Cat’, a track that became a club hit. Open is marked by its eclecticism; 'Lament for Miss Baker' is a tender, piano ballad influenced by Duke Ellington, reflecting Auger’s jazz and classical influences whilst 'Goodbye Jungle Telegraph' is a wild and crazy percussive freak out. Brian displayed not only his virtuosity but also his surrealist sense of humour with bizarre sound effects, inspired by Spike Milligan's The Goons' radio show interspersed between the tracks.\n\u003cp\u003eJulie Driscoll’s arrival on the album’s B side brings a sharp shift in tone. Her smoky, emotive vocals inject a soulful depth, notably on covers of Otis Redding \u0026amp; Carla Thomas hit 'Tramp', Aretha's 'Save Me' and The Staples Singers ‘Why Am I Treated So Bad\". With original numbers 'Break It Up' and 'A Kind Of Love In' we hear the Auger \/ Driscoll pop infused R\u0026amp;B at its very best, whilst the version of Donovan’s 'Season of the Witch' stretches out into a slow-burning epic. In 2025, Open is viewed as a cult classic and testament to a unique period when genre boundaries were fluid and artistic risk-taking was the norm. Brian Auger \u0026amp; The Trinity’s debut captures the adventurous energy of the late 1960s. 58 years later, its importance in the development of British jazz fusion and progressive bands that followed is undeniable, with The Charlatans Tim Burgess recently commenting on Auger's Instagram that The Trinity were a 'huge influence'.\u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003eCat: SBM18LP\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cbr\u003e\u003c\/span\u003eLabel: Soul Bank Music\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA1. In And Out\u003cbr\u003eA2. Isola Natale\u003cbr\u003eA3. Black Cat\u003cbr\u003eA4. Lament For Miss Baker\u003cbr\u003eA5. Goodbye Jungle Telegraph\u003cbr\u003eB1. Tramp\u003cbr\u003eB2. 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Also available on CD with the same new artwork and additional songs - this is the first time in years that the album will be available to buy as it has long been out of print.\u003cbr\u003e\u003cbr\u003eRecorded at Battery Studios with producer Mark Williams the album was described by Rocksound as: “a powerful, three-dimensional monster packed with quality songs that should finally push Million Dead into the big league.” Whilst Big Cheese said: “There’s true bile and vitriol behind every bitter lyric and raging cry, yet heart in every song.” \u003c\/p\u003e\n\u003cp\u003eReleased: June 2025\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: XMR199LP\u003cbr\u003e\u003c\/span\u003eLabel: Xtra Mile Recordings\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e SIDE A\u003cbr\u003e 1. Bread \u0026amp; Circuses\u003cbr\u003e 2. Holloway Prison Blues\u003cbr\u003e 3. 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This is more than an album—it’s an invitation to a world where music, art, and cinema collide\u003c\/em\u003e.\" — Jeymes Samuel.\u003c\/p\u003e\n\u003cp\u003eCAM Sugar is thrilled to present Jeymes Samuel’s \u003cem\u003eSpaghetti Western Collection\u003c\/em\u003e, a selection of rare cuts from Italian Western film soundtracks (1963–1972), curated by the acclaimed father of the contemporary Spaghetti Western genre, BAFTA-winner director (The Harder They Fall, The Book of Clarence) and singer-songwriter Jeymes Samuel (The Bullits, Executive Music Consultant for The Great Gatsby alongside Jay-Z and Baz Luhrmann, as well as collaborator of Gorillaz and Talib Kweli, Jay Electronica). 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