{"title":"25\/09\/26","description":"","products":[{"product_id":"gurriers-nobodys-coming-to-save-you","title":"Nobody's Coming To Save You","description":"\u003cp\u003eWhen Dublin’s Gurriers released 2024 debut album \u003cem\u003eCome And See\u003c\/em\u003e, they underlined their status as a visceral, unignorable new voice in the thriving Irish punk scene. Since then they have carved out a steadily escalating reputation for bone-rattling, mosh-ready live shows. \u003cem\u003eCome And See \u003c\/em\u003epushed their lyrical chops and curious, socially-exploratory outlook to the fore too, platforming songs about digital angst and IRL terror in the modern world. \u003c\/p\u003e\n\u003cp\u003eThe quintet’s superb second album might be called \u003cem\u003eNobody’s Coming To Save You\u003c\/em\u003e, then, but it could easily be subtitled ‘harder, better, faster, stronger’. Recorded at Donegal’s Attica Studios and Holy Mountain Studios in London with producers Mark Bowen of Idles and Loren Humphrey (Geese, Cameron Winter), alongside engineer Chris Fullard (Idles, Sunn O))) and world-renowned mixer John Congleton (St. Vincent, Modest Mouse, Swans), the crack team that readily assembled for LP2 speaks volumes of its quality from the off. This is Gurriers taking all the musical chemistry and smart, interrogational worldview that made them great in the first place, and souping it up to the next level. \u003c\/p\u003e\n\u003cp\u003eFrom the rattling tension of the title track’s opening moments that then give way to a cacophonous, cathartic climax, \u003cem\u003eNobody’s Coming To Save You \u003c\/em\u003etakes this spirit of the sweaty basement venue and turns it stadium-sized. It’s not just loud, but dynamic. ‘Shades’ takes shards of industrial, angular guitar and sends them into a gnarly hardcore chorus, while ‘Drones’ is a true pressure-cranking slow build with a drop destined to decimate every mosh pit they travel through. On ‘Pins’, they explore a looser, more melodic swagger that comes on like a grunge\/ trip-hop hybrid, whereas ‘Party Lines’ is pure insatiable dance-punk hedonism. If the band’s MO was to find a way to make the record “slap you in the face”, then consider yourself smacked. \u003cbr\u003e\u003cbr\u003eWith \u003cem\u003eNobody’s Coming To Save You\u003c\/em\u003e, Gurriers have sent their ambitions sky-high and come out swinging. \u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: PIASR1632LPX\u003cbr\u003eLabel: Play It Again Sam\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Nobody's Coming To Save You \u003cbr\u003e2. Party Lines \u003cbr\u003e3. 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Be Happy\u003cbr\u003e2. That’s Me\u003cbr\u003e3. Fly\u003cbr\u003e4. Best I Can Do\u003cbr\u003e5. Thorn\u003cbr\u003e6. Bird On The Wire\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e7. Pistol\u003cbr\u003e8. Loser\u003cbr\u003e9. Black Dress\u003cbr\u003e10. Blue Song\u003cbr\u003e11. Spent On You\u003c\/p\u003e","brand":"Keo","offers":[{"title":"LP-Crystal Clear + Poster","offer_id":56676026712450,"sku":"25\/09\/26-DISUNI","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56676046111106,"sku":"25\/09\/26-DISUNI","price":21.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56676051943810,"sku":"25\/09\/26-DISUNI","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Keo-PutASmileOnForMe-3000x3000.jpg?v=1779973783"},{"product_id":"hermanos-gutierrez-los-ojos-del-condor","title":"Los Ojos Del Cóndor","description":"\u003cp\u003eHermanos Gutiérrez presents a new world of sound on their latest album \u003cem\u003eLos Ojos del Cóndor\u003c\/em\u003e, leaving behind the cosmos for the coastal mist of Lima, Peru, where the brothers’ lineage takes root. On their third collaboration with Easy Eye Sound, Alejandro and Estevan Gutiérrez craft an odyssey through lush musical soundscapes, trading the wide-open canyons of the American West for the rhythmic pulses of South America.\u003c\/p\u003e\n\u003cp\u003eProduced by Dan Auerbach.\u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003e7279516\u003c\/span\u003e\u003cbr\u003eLabel: Concord\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LWFJm6SL_pU?si=n-3t4zsYuok7OtQr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Canto Andino\u003cbr\u003e2. Los Ojos del Condor\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Alma Mia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. 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Dios de la Paz\u003c\/span\u003e\u003c\/p\u003e","brand":"Hermanos Gutiérrez","offers":[{"title":"LP-'Solar Flare'","offer_id":56689981620610,"sku":"25\/09\/26-DISUNI","price":27.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56689989648770,"sku":"25\/09\/26-DISUNI","price":27.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56689989747074,"sku":"25\/09\/26-DISUNI","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/HG_CondorFront1-scaled.jpg?v=1780567593"},{"product_id":"osees-off-course","title":"Off Course","description":"We went back to an older method of writing for this one.\u003cbr\u003eWe jammed and jammed and jammed.\u003cbr\u003eI took the tapes home and ironed out some mutant tunes.\u003cbr\u003eWe went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas \u0026amp; Brigid Dawson to put the finish on.\n\u003cp\u003eSpice is always nice.\u003cbr\u003e \u003cbr\u003eMixed it all up in the cauldron and thus we have a strange brew indeed\u003cbr\u003eFloating in the smoke we have:\u003cbr\u003eA couple long jams, a couple short jams and a finale that’ll dump a bucket of ear worms on you\u003cbr\u003e(reminiscent of “the axis”?)\u003cbr\u003eDip your toe in organ rock and roll\u003cbr\u003e \u003cbr\u003eSo without further ado\u003cbr\u003eWe present to you\u003cbr\u003e“OFF COURSE”\u003c\/p\u003e\n\u003cp\u003e An album wondering where the fuck are we and how did we get here\u003cbr\u003e \u003cbr\u003eA signal dispatched out into the darkness\u003cbr\u003e \u003cbr\u003eWe are here\u003cbr\u003eWe are alive\u003cbr\u003eAnd we are together\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCHEERS NO EARS\u003cbr\u003eJPD\/DG\/OSEES \u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: DG011\u003cbr\u003eLabel: Deathgod Corp.\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. 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Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name — an unprecedented gesture from the pioneering artist. Listening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuiet Storm \u003c\/em\u003ebrings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. Heavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus\u003cem\u003e, Quiet Storm\u003c\/em\u003e is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. Through bent time and low-lit haze, undoubtedly, Space Afrika has arrived.\u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: DAIS232LP1\u003cbr\u003eLabel: DAIS\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RtNBWbi-Eyg?si=ZD2h8cN6IXBP6AoK\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eSIDE A \u003cbr\u003e1. Vanity (ft. Axelle Fanyo) \u003cbr\u003e2. Crying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003e3. From the Heart of Knowing (ft. Alto Aria) \u003cbr\u003e4. Ballad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003e5. Black and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003e6. H00D Ambient Validation (ft. Any1) \u003cbr\u003e7. 2MLN (ft. Tony Njoku) \u003cbr\u003e8. We Live. Joy \u003cbr\u003e9. Pretty Gospel (ft. Kiala Ogawa) \u003cbr\u003e10. If This Is Hell (ft. 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First single \"Get Away From Me (I Think I’ll Love You Soon)’\"is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003cbr\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. 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I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\n\u003cp\u003eReleased: September 2026\u003cbr\u003eCat: 4AD0942\u003cbr\u003eLabel: 4AD\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Brand New\u003cbr\u003e2. God Sometimes\u003cbr\u003e3. If I Had The Hand Of God\u003cbr\u003e4. The Hardest Thing\u003cbr\u003e5. Angel Vision\u003cbr\u003e6. Real Life\u003cbr\u003e7. Get Away From Me (I Think I'll Love You Soon)\u003cbr\u003e8. You Turned On The Tap\u003cbr\u003e9. Walk On Me\u003cbr\u003e10. I Wish\u003c\/p\u003e","brand":"Julia Jacklin","offers":[{"title":"LP-Turquoise","offer_id":56708436361602,"sku":"25\/09\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56708437639554,"sku":"25\/09\/26-DISCAR","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56708437672322,"sku":"25\/09\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Julia_Jacklin_-_The_Gem.jpg?v=1781356119"}],"url":"https:\/\/recordculture.com\/collections\/25-09-26.oembed","provider":"Record Culture","version":"1.0","type":"link"}