{"title":"27\/03\/26","description":"","products":[{"product_id":"knocked-loose-you-wont-go-before-youre-supposed-to","title":"You Won't Go Before You're Supposed To","description":"\u003cp\u003eAs Knocked Loose chipped away at what would become their third album, they felt the pressure from all sides. Internally, there was the need to challenge themselves as songwriters while retaining the merciless intensity and unflinching honesty that have always been their calling cards. Externally, there was a whole new set of eyes on the hard-touring Louisville quintet, following a banner year in which they’d brought their underground-seasoned sound to some of the world’s biggest stages, finding themselves the unlikely viral darlings of both Coachella and Bonnaroo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe creative process was arduous, with the band writing close to 40 songs across a span of four years before locking in the 10 tracks that make up new LP\u003cem\u003e You Won’t Go Before You’re \u003c\/em\u003e\u003cem\u003eSupposed To.\u003c\/em\u003e But in the end, vocalist Bryan Garris, guitarists Isaac Hale and Nicko Calderon, bassist Kevin Otten and drummer Kevin “Pac Sun” Kaine honed a diverse, cohesive and savagely intense album that both sums up the massive strides they’ve taken during their decade as a band, and asserts their boundless potential going forward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaging lead single “Blinding Faith” skillfully wields whiplash tempo changes in service of a scathing indictment of religious groupthink. “Don’t Reach for Me” combines the band’s signature frenzied attack with deliberate catchiness and refreshing sonic variety. While “Suffocate,” featuring pop-meets-metal trailblazer Poppy, contrasts an oppressive heaviness befitting the title with a dance-y, syncopated groove and, midway through, the most concussive reggaeton rhythm you’ve ever heard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title — a phrase that a fellow passenger said to Garris to soothe his severe air-travel anxiety during a particularly trying flight — strikes a note of reassurance. But glossing over negative emotions isn’t what Knocked Loose are about. The new songs find them plumbing new depths of loathing — directed both inward and outward — and tortuous anguish. Musically, they’re leaning into their most extreme impulses, from blastbeat-driven fury, chaotic turbulence and seismic breakdowns, while seasoning the mix with ear-catching auxiliary percussion, evocative samples and shout-along hooks, all interwoven to perfection by Grammy-nominated, pop-savy producer Drew “WZRD BLD” Fulk.\u003cbr\u003e\u003cbr\u003eReleased: May 2024\u003cbr\u003eCat: PNE4091\u003cbr data-mce-fragment=\"1\"\u003eLabel: Pure Noise Records\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Thirst\u003cbr\u003e2. Piece By Piece\u003cbr\u003e3. Suffocate (ft. Poppy)\u003cbr\u003e4. Don't Reach For Me\u003cbr\u003e5. Moss Covers All\u003cbr\u003e6. Take Me Home\u003cbr\u003e7. Slaughterhouse 2 (ft. Chris Motionless)\u003cbr\u003e8. The Calm That Keeps You Awake\u003cbr\u003e9. Blinding Faith\u003cbr\u003e10. 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The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them.\u003c\/p\u003e\n\u003cp\u003eSounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark. The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog.\u003c\/p\u003e\n\u003cp\u003eThis attention to detail in their sound meant finding several other studios to get what they needed to record with, including a harpsichord at 4AD’s studio in London and a vibraphone and vintage Leslie speaker in Stereolab drummer Andy Ramsay’s studio Press Play.\u003c\/p\u003e\n\u003cp\u003eVerity’s distinctive, unadorned singing is a focal point of the record, moving from tender to wild. Her vocal melodies quickly become earworms, providing the tuneful heart around which the songs’ more unorthodox elements are arranged, which is where Matthew’s unconventional approach to recording and production comes to the fore.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: FIRELP820Y\u003cbr\u003eLabel: Fire Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0GTRFmErDyM?si=EcplaiNyxXz1uDUo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA1. Life Could Be a Cloud\u003cbr\u003eA2. Cut Glass Hammer\u003cbr\u003eA3. I Can't See A Rainbow\u003cbr\u003eA4. Dropped Down The Well\u003cbr\u003eA5. In The Weeds\u003cbr\u003eA6. Reimagined River\u003cbr\u003eB1. Mediocre Demon\u003cbr\u003eB2. Bell Miner\u003cbr\u003eB3. 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Set to urgent and guitar-rich arrangements from Andy MacFarlane, with James Graham’s distinct, raw and impassioned vocals, the result is a pinnacle for The Twilight Sad in a career of tremendous integrity and artistry, and a record that honours the band’s ability to turn lived experience into fully felt music.\u003c\/p\u003e\n\u003cp\u003eIncluding the blistering single WAITING FOR THE PHONE CALL and featuring the legendary Robert Smith of The Cure, \u003cem\u003eIt's The Long Goodbye \u003c\/em\u003ewas recorded in London’s Battery Studios with Andy Savours (My Bloody Valentine) and mixed by Chris Coady (Yeah Yeah Yeahs, Slowdive).\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: ROCKACT155LPX\u003cbr\u003eLabel: Rock Action\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/P9zuO-aYhik?si=YEmNnKyP5S02BTBp\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 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TV PEOPLE STILL THROWING TVS AT PEOPLE\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Twilight Sad","offers":[{"title":"LP-Yellow","offer_id":56161733017986,"sku":"27\/03\/25-DISCAR","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":56161762869634,"sku":"27\/03\/25-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56161766736258,"sku":"27\/03\/25-DISCAR","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/501e0ae0-8958-47d6-9b9d-b9e19c0d5cbc.jpg?v=1774434059"},{"product_id":"robyn-sexistential","title":"Sexistential","description":"\u003cp\u003e\u003cem\u003eSexistential \u003c\/em\u003eis the most ecstatic record that Robyn has ever made, the sound of one of contemporary music’s most influential artists coming home. After the club music meditations of 2018’s \u003cem\u003eHoney\u003c\/em\u003e, the album features nine, deeply playful pop songs that tie back to her era-defining Body Talk trilogy, designed to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing”, she says. “That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.”\u003c\/p\u003e\n\u003cp\u003eCo-produced mainly with longtime collaborator Klas Åhlund, \u003cem\u003eSexistential \u003c\/em\u003eis emphatic and punchy, defiant about both emotional and biological pleasure, need and softness. The album’s title started life as an in-joke before she realised it said everything she wanted to say. “Exploring my sensual life is the same feeling as when I make a good song,” she explains. “It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. 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It all begins with 3 guitars, 3 voices and blooms from there. \u003cbr\u003e\u003cbr\u003eLimited edition initial pressing of 1000 copies on silver vinyl in individually numbered sleeve. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 355REC3LP\u003cbr\u003eLabel: Maple 355 Recordings\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uThyvb_ZQyI?si=oNlxq2oNaHYkaaYB\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003eSide One \u003cbr\u003e1. People Move On \u003cbr\u003e2. Planets \u003cbr\u003e3. Winter \u003cbr\u003e4. Not  Alone \u003cbr\u003e5. Did I Say \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eSide Two \u003cbr\u003e1. Last Ship On The River \u003cbr\u003e2. Me \u0026amp; Magdalena \u003cbr\u003e3. Souvenir \u003cbr\u003e4. Does It All Add Up To Nothing \u003cbr\u003e5.. Lonely Night \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Butler, Blake \u0026 Grant","offers":[{"title":"LP-Ash Grey","offer_id":56167862174082,"sku":"27\/03\/26-DISROM","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56167916503426,"sku":"27\/03\/26-DISROM","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/2c8ed88c-209c-91da-723b-d993cad52d5f.jpg?v=1767788197"},{"product_id":"crack-cloud-peace-purpose","title":"Peace \u0026 Purpose","description":"\u003cp\u003eCan’t go over it. Can’t go under it. Gotta go through it. And somewhere out there in the pitch black beyond all darkness lies \u003cem\u003ePeace \u0026amp; Purpose\u003c\/em\u003e. The horizon you never quite crest until the inevitable end. Breathe deep — this fearful moment is the most alive you’re ever gonna feel. For the last decade, Crack Cloud’s vision has grown ever more expansive, more cinematic. Last go around, they dropped from The Heavens and then performed with their bare backs to an endless darkening desert. Now they’ve crammed all that life into some metallic and strange object called \u003cem\u003ePeace \u0026amp; Purpose\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eAll the terror of living. All the helplessness. All the raw human will. All glued and screwed and locked into this impossible tactile shape of dungeon dub; sour milk vox; Avant-protest music. Music arm wrestling itself to the ground. Far afield of beauty. The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. And yet, never giving up in spite of all good sense. Even in death, we are a coterie of survivors. Look now: There’s Terry Fox on his one-legged Marathon of Hope across The Great White North while cancer spreads through his lungs. A self-annihilating drive to feel alive. Rage against the dying of the light, they say. Well, how ‘bout it then!??! \u003cem\u003ePeace \u0026amp; Purpose\u003c\/em\u003e is not in any way some art project meditation on Punk Rock. It \u003cem\u003eis \u003c\/em\u003ePunk Rock. Terrifying, inspiring, vital, invigorating and most importantly, utterly unexpected. Every goddamn stupid day is a sublime slice of fresh hell. That’s the point. Gotta go through it. Wishing you \u003cem\u003ePeace \u0026amp; Purpose\u003c\/em\u003e — if only in that last big breath.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: MM17LP \u003cbr\u003eLabel: Meat Machine\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-RKJfzp2SSs?si=c8j55z8t0PKlwwIs\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Peace \u0026amp; Purpose\u003cbr\u003e2. Safe Room\u003cbr\u003e3. Not The Same Thing\u003cbr\u003e4. Life On A Farm\u003cbr\u003e5. Pick Apart \u003cbr\u003e6. Marathon Of Hope\u003cbr\u003e7. Stop Cutting Me Down \u003cbr\u003e8. Shut The Fuck Up\u003cbr\u003e9. Reunion\u003cbr\u003e10.  Phantom Limb \u003cbr\u003e11. Thoughts On My Faith \u003cbr\u003e12. Eris On The Run \u003cbr\u003e13. Red House \u003cbr\u003e14. 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Where \u003cem\u003eLocal Valley\u003c\/em\u003e turned inward toward place, language, and personal reflection, this new record widens its gaze, becoming an urgent call to preserve the light of humanity with all its flaws, at a moment when, technology increasingly shapes how we think, feel, and relate to one another.\u003c\/p\u003e\n\u003cp\u003eWhile José has always embraced technological advancement, he questions the assumption that every new possibility must be pursued to its maximum potential, especially when progress comes at the expense of human flourishing, attention, and empathy.\u003c\/p\u003e\n\u003cp\u003eKeeping in the tradition of folk music as protest, José’s new single — sharing its title with the forthcoming album — urges listeners to resist systems that dehumanize and divide: “Disconnect from every algorithm, every perverse incentive that drags you down. Let’s rebel against the replicators, against the dying of the light. Kill the codes that feed the hate, keep the codes that make you thrive, celebrate the f**king fact that we’re alive.”\u003c\/p\u003e\n\u003cp\u003eAcross the album, González works within a deliberately minimal framework, pushing his familiar palette to new heights through subtle variation, restraint, and detail. Each song unfolds with its own distinct character, proving how much emotional and musical range can be achieved within self - imposed limitations. Written in English, Swedish, and Spanish, the record reflects his Swedish - Argentine roots and frames its humanist message as a global one rather than a purely personal or political statement.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: SLANG50607X\u003cbr\u003eLabel: City Slang\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K9krPYK6JWM?si=2sVYIrcMX69Vr2dH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA1. A Perfect Storm\u003cbr\u003eA2. Etyd\u003cbr\u003eA3. Against The Dying Of The Light\u003cbr\u003eA4. For Every Dusk\u003cbr\u003eA5. Sheet\u003cbr\u003eA6. Pajarito\u003cbr\u003eA7. Losing Game (Sick)\u003cbr\u003eB1. Ay Querida\u003cbr\u003eB2. U - Rawls Slöja\u003cbr\u003eB3. Gymnasten\u003cbr\u003eB4. Just A Rock\u003cbr\u003eB5. You \u0026amp; We\u003cbr\u003eB6. Joy (Can't Help but Sing)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"José González","offers":[{"title":"LP-White","offer_id":56201609478530,"sku":"27\/03\/26-DISROM","price":29.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56201706406274,"sku":"27\/03\/26-DISROM","price":29.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56201707848066,"sku":"27\/03\/26-DISROM","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/45bcefd0-cf74-ef61-1a47-c268e6b74b65.jpg?v=1768305379"},{"product_id":"wolf-parade-apologies-to-the-queen-mary","title":"Apologies To The Queen Mary (2026 Reissue)","description":"\u003cp\u003eSub Pop and Wolf Parade present a new, pink-vinyl pressing of their landmark album \u003cem\u003eApologies to the Queen Mary\u003c\/em\u003e. This edition brings the long out-of-print album back to its original, single-LP format hot on the heels of the 2025 TV show Heated Rivalry, which introduced the album’s single “I’ll Believe in Anything” to a vast new audience, making the song a bona fide viral hit. \u003cbr\u003e\u003cbr\u003eWolf Parade was founded in 2003 in Montreal, Quebec. After a pair of self-titled EPs, the band - Hadji Bakara (electronic manipulations), Dan Boeckner (guitar, vocals), Spencer Krug (keyboards, vocals), Arlen Thompson (drums) - released \u003cem\u003eApologies to the Queen Mary\u003c\/em\u003e to widespread acclaim in September, 2005. The album was recorded by Modest Mouse frontman Isaac Brock and engineer Chris Chandler at Audible Alchemy in Portland, Oregon. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eApologies to the Queen Mary\u003c\/em\u003e barrels headfirst and breathlessly through songs written during Wolf Parade’s early years together as a band. The album’s catchy, energetic urgency immediately established them as one of the defining forces of 2000s indie-rock. Two decades on, the album has lost none of its vitality and continues to win over new generations of fans.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: SP1685X\u003cbr\u003eLabel: Sub Pop\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. You Are a Runner and I Am My Father's Son\u003cbr\u003e2. Modern World\u003cbr\u003e3. Grounds for Divorce\u003cbr\u003e4. We Built Another World\u003cbr\u003e5. Fancy Claps\u003cbr\u003e6. Same Ghost Every Night\u003cbr\u003e7. Shine a Light\u003cbr\u003e8. Dear Sons and Daughters Of Hungry Ghosts\u003cbr\u003e9. I'll Believe in Anything\u003cbr\u003e10. It's a Curse\u003cbr\u003e11. Dinner Bells\u003cbr\u003e12. This Heart's On Fire\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Wolf Parade","offers":[{"title":"LP-Clear Pink","offer_id":56202954310018,"sku":"27\/03\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/WolfParade_ApologiesToTheQueenMary_1500px.jpg?v=1768315368"},{"product_id":"powerplant-bridge-of-sacrifice","title":"Bridge Of Sacrifice","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eDarkest clouds have sealed the sky, Powerplant is back and has \u003c\/span\u003ebrewed its strongest release yet. \u003cem\u003eBridge of Sacrifice\u003c\/em\u003e emerges from the cauldron - a fun, black metal infused journey through all that is heavy and gothic. Powerplant, the solitary project of Ukraine born, London-based Theo Zhykharyev, is distinguished by its giddy bass, sizzling synth lines and melancholic vocal hooks. From the lo-fi synth-punk of 2019’s breakout debut album, \u003cem\u003ePeople in the Sun \u003c\/em\u003eto the instrumental 2022 dungeon-synth release, \u003cem\u003eStump Soup\u003c\/em\u003e and the kaleidoscoping \u003cem\u003eGrass EP\u003c\/em\u003e (2023), to last year’s 80’s rock explorations on the moody “Crashing Cars’ 7” and the Michael Mann-inspired \u003cem\u003eHeat EP\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eBridge of Sacrifice\u003c\/em\u003e, Powerplant’s second full-length album, Zhykharyev once again rebrands and reinvents Powerplant as a gothic beast. Zhykharyev’s voice takes centre stage with resolute and dramatic singing, dialled in after years of touring. The familiar Gary Numan-esque synth or early Powerplant works is elaborated with orchestral strings, grand piano and heavenly choirs. Heavy and full drum sound replaces the vintage digital drum machine samples. The musical pallet is further expanded with moving cello performances by Hani Hooper, adding a grotesque cherry on top of this musical cake.\u003c\/p\u003e\n\u003cp\u003eAlthough the new release is styled in an eerie, extreme metal fashion, \u003cem\u003eBridge of Sacrifice\u003c\/em\u003e is Powerplant to its core. The tracks on which it runs are founded from approachable pop songwriting, and melodic vocal hooks. The album’s quest for avid genre exploration keeps the musical journey fresh, as it carries you through the depths and extremities of metal-punk, blackgaze, industrial and acoustic campfire folk. New-found malevolence is neutralised by the familiar playfulness and humour of Powerplant, which, mixed like paint, absorb the first time listener in intriguing dichotomy of confronting elements.\u003c\/p\u003e\n\u003cp\u003eThe production has received a major upgrade. The album was mixed and mastered by Stanley Gravett (Idles, The Horrors, High Vis) in the heart of Hackney at Holy Mountain Studios. As a result of self-recording, Powerplant’s early releases had a nostalgic lo-fi warmth, smooth and blurry around the edges. It has since grown up into a professionally assembled effort, maturing alongside Zhykharyev’s songwriting, singing and playing. Powerplant’s rich atmospheric qualities comes from the textural layering, which receive more ground to shine on, by virtue of Gravett’s precise finishing techniques. Black metal has never sounded this crisp and pronounced.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: ADX5LPC1\u003cbr\u003eLabel: Arcane Dynamics\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZIidtMP2fsU?si=BZpknabCCgLdAZOH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Bridge Of Sacrifice\u003cbr\u003e2. Running Cross\u003cbr\u003e3. Florida\u003cbr\u003e4. Transaxtions\u003cbr\u003e5. The Fork\u003cbr\u003e6. Hall of Wolves\u003cbr\u003e7. Bad Moon Motel\u003cbr\u003e8. Last Wheel\u003cbr\u003e9. Arborglyph\u003cbr\u003e10. Red Death\u003cbr\u003e11. Wingspan\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Powerplant","offers":[{"title":"LP-Blue","offer_id":56210241520002,"sku":"13\/03\/26-DISCAR","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"LP-White","offer_id":56210304729474,"sku":"13\/03\/26-DISCAR","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56210306236802,"sku":"13\/03\/26-DISCAR","price":14.0,"currency_code":"GBP","in_stock":false},{"title":"Cassette","offer_id":56210307514754,"sku":"13\/03\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/Powerplant_-_Bridge_Of_Sacrifice.jpg?v=1768396192"},{"product_id":"suep-forever","title":"Forever","description":"\u003cp\u003eSouth London underground favourites SUEP announce their debut album \u003cem\u003eForever \u003c\/em\u003eout 27th of March, via Memorials of Distinction. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eForever \u003c\/em\u003eis a confident debut, a masterpiece of modern indie songcraft. Across the album SUEP dip into country, synthpop, garage rock, post punk, and pub rock, but always retain their signature penchant for melodic hooks, snappy structures and straight-to-the-heart lyrics. Artfully unpretentious, the album was recorded by friend Matt Green, best known for his work with The Tubs, and mixed by Mike O’Malley of the band caroline.\u003c\/p\u003e\n\u003cp\u003eLed by Georgie Stott and Joshua Harvey, SUEP have become fixtures of south-east London’s underground through a series of shared living spaces, improvised studios and DIY venues. Now with George Nicholls (The Tubs, Joanna Gruesome, GN Band), William Deacon (PC World), and Louis Forster (The Goon Sax, Expiry) completing the line up, their debut is finally on its way.\u003c\/p\u003e\n\u003cp\u003eReceiving acclaim across BBC 6 Music and the indie press for their ‘car boot sale’ pop music, SUEP rummage through the jumble bin of music history, selecting and reassembling its best parts into something playful, strange and deeply artful. The band are affiliates of the Gob Nation collective - including The Tubs, Sniffany \u0026amp; The Nits, Ex-Void, and others, described by the Guardian as uniting around “a leftfield sensibility, lacerating wit and snotty attitude.”\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: MOD116LP\u003cbr\u003eLabel: Memorials Of Distinction\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-gNMR6K2G9Y?si=6VghaOReZsXKWkjL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Purgatory\u003cbr\u003e2. In The Morning\u003cbr\u003e3. Highway II\u003cbr\u003e4. Hollywood\u003cbr\u003e5. Country SUEP\u003cbr\u003e6. Patronised\u003cbr\u003e7. The Rain\u003cbr\u003e8. Big Jump\u003cbr\u003e9. 10 Days\u003cbr\u003e10. 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Time and space have finally allowed him to return to his first musical loves: jazz and playing the trumpet. \u003c\/p\u003e\n\u003cp\u003eFor \u003cem\u003eHonora\u003c\/em\u003e, which takes its name from a beloved family member, Flea composed and arranged the music, and also plays trumpet and bass throughout, joined by an elite crew of modern jazz visionaries: album producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks.  The record features vocals from Flea, as well as friends Thom Yorke and Nick Cave. Mauro Refosco (David Byrne, Atoms for Peace) and Nate Walcott (Bright Eyes), among others, also join the band.  The album comprises six original songs – including one co-written by Flea, Johnson, and Yorke – as well as interpretations of tunes by George Clinton and Eddie Hazel, Jimmy Webb, Frank Ocean and Shea Taylor, and Ann Ronell.\u003c\/p\u003e\n\u003cp\u003eBest known as a founding member and bassist for the Red Hot Chili Peppers, Flea was first introduced to live jazz as a child, when family friends played the music together in his own living room.  “It was the greatest thing I ever saw,” he recalls.  “The wildness, warmth and we of it.  Straight Bebop.  Boom.  I knew there were higher things on this earth, way above the pettiness that had left me disheartened.  The holy trifecta of my life, music, sports and nature was complete.”\u003cbr\u003e\u003cbr\u003eUntil \u003cem\u003eHonora\u003c\/em\u003e, Flea had never been scared of making music before.  He worried that the all-star band he had assembled would think he was “a non-playing motherf*cker, charlatan, rock poseur or fan.”  But, he says, “It turns out they were all the most genuinely supportive people, moving me deeply and daily with their generous spirits…  Sitting in a room and playing the music with them made me feel like I was on drugs.  I was buzzing, tripping and floating around the studio.  I love them, they truly gave of themselves.  I bow all the way down.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 0075597893588\u003cbr\u003eLabel: Nonesuch\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iDdl-cwIXJU?si=_w43d_5mJOrX_QU5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Golden Wingship\u003cbr\u003e2. A Plea\u003cbr\u003e3. Traffic Lights\u003cbr\u003e4. Frailed\u003cbr\u003e5. Morning Cry\u003cbr\u003e6. Maggot Brain\u003cbr\u003e7. Wichita Lineman\u003cbr\u003e8. Thinkin Bout You\u003cbr\u003e9. Willow Weep for Me\u003cbr\u003e10. Free As I Want to Be\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Flea","offers":[{"title":"2LP-Red","offer_id":56219775435138,"sku":"27\/03\/25-DISWAR","price":43.0,"currency_code":"GBP","in_stock":false},{"title":"2LP-Black","offer_id":56219856208258,"sku":"27\/03\/25-DISWAR","price":40.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56219860664706,"sku":"27\/03\/25-DISWAR","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/213581-flea-honora.jpg?v=1768485254"},{"product_id":"ryuichi-sakamoto-opus","title":"Opus","description":"\u003cp\u003eExperience the profound artistry of Ryuichi Sakamoto with \u003cem\u003eOpus\u003c\/em\u003e, a definitive vinyl collection curated by the composer himself. Spanning decades of groundbreaking work, these 4-LP and 2-CD sets bring together iconic film scores, Yellow Magic Orchestra classics, and deeply personal compositions that reflect Sakamoto’s singular musical voice. Highlights include Merry Christmas Mr. Lawrence, Andata, and Aqua, alongside never-before-released pieces including for Jóhann (a tribute to Jóhann Jóhannsson), BB (dedicated to Bernardo Bertolucci), and 20180219 (featuring prepared piano).\u003cbr\u003e\u003cbr\u003e4LP edition is pressed at 45 RPM across four heavyweight LPs for exceptional audio fidelity, each disc is housed in its own jacket with matching black paper dust sleeves. The set is encased in a hand-crafted textured slipcase with elegant black foil detailing and includes a collector’s booklet with composition notes and credits.\u003cbr\u003e\u003cbr\u003eThe 2CD edition is presented in a deluxe six-panel digipak constructed from premium black stock with black foil stamping and silver text, the CD edition is wrapped in a custom eight-panel sleeve showcasing evocative black-and-white imagery of Sakamoto during the performance of \u003cem\u003eOpus\u003c\/em\u003e. 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Her first album in five years, she returns with a renewed sense of clarity and control, asserting herself as a generational songwriter with a sharpened perspective. While her early work chronicled the emotional turbulence of young love, \u003cem\u003eRicochet \u003c\/em\u003ereveals a deeper fixation: time, mortality, and the quiet terror of watching the things you love slip away. The album’s 11 songs are steeped in introspection, anxiety, and acceptance; an acknowledgment that the world keeps turning regardless of what’s unfolding in your own small orbit.\u003c\/p\u003e\n\u003cp\u003eWritten during a period of intense personal change that included a move to North Carolina from NYC, \u003cem\u003eRicochet \u003c\/em\u003efinds Jordan reckoning with questions she once avoided, namely death and what comes after. The album pairs her incisive lyricism with newly expansive melodies, ornate string arrangements, and hypnotic textures, marking a natural evolution from Lush’s poised guitar work and Valentine’s raw emotional charge. Sonically, \u003cem\u003eRicochet \u003c\/em\u003echannels the luminous side of ’90s alternative rock — echoing Smashing Pumpkins at their sunniest, Radiohead at their most Britpop, and the shoegaze haze of bands like Catherine Wheel and Ivy — all filtered through Jordan’s singular voice.\u003c\/p\u003e\n\u003cp\u003eAfter undergoing surgery for vocal polyps and intensive speech therapy ahead of 2021’s Valentine tour, Jordan emerges on \u003cem\u003eRicochet \u003c\/em\u003eas a more confident and controlled vocalist — an ironic strength for an album centered on uncertainty. She recorded the album with producer and bassist Aron Kobayashi Ritch (Momma) at Fidelitorium Recordings in North Carolina, as well as Nightfly and Studio G in Brooklyn. The sessions, Jordan says, felt “refreshing, trusting, and comfortable,” allowing her to fully inhabit the songs without compromise.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003eOLE2209LPE\u003c\/span\u003e\u003cbr\u003eLabel: Matador\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AgCTkQdArwk?si=53OUpbJezE8-mZJE\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Tractor Beam\u003cbr\u003e2. My Maker\u003cbr\u003e3. Light On Our Feet\u003cbr\u003e4. Cruise\u003cbr\u003e5. Agony Freak\u003cbr\u003e6. Dead End\u003cbr\u003e7. Butterfly\u003cbr\u003e8. Nowhere\u003cbr\u003e9. Hell\u003cbr\u003e10. Ricochet\u003cbr\u003e11. Reverie\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Snail Mail","offers":[{"title":"LP-Red","offer_id":56243579519362,"sku":"27\/03\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":56243600327042,"sku":"27\/03\/26-DISCAR","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56243600753026,"sku":"27\/03\/26-DISCAR","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/fb316201-6258-b469-ebc0-8dde8025ed12.jpg?v=1768906364"},{"product_id":"courtney-barnett-creature-of-habit","title":"Creature Of Habit","description":"\u003cp\u003e\u003cem\u003eCreature Of Habit \u003c\/em\u003eis Courtney Barnett's fourth studio album. It marks a decisive new chapter in Courtney Barnett’s musical evolution. It’s a bold, emotionally resonant record that explores the central question: how to get out of your own way so you can truly feel your life. Written in the wake of a relocation from Australia to Los Angeles and the closure of her long-running label Milk! Records, Barnett was grappling with changes that put the future of both her life and career in question. Rather than internalizing those feelings, she decided to bring all this swirling confusion directly into the recording process.\u003cbr\u003e\u003cbr\u003eIn the hands of Courtney Barnett, fragments of everyday life become rich and riveting. A deft lyricist and virtuosic guitarist, she is an emblem of millennial wit and one of Australia’s most successful musical exports.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 0484186\u003cbr\u003eLabel: Fiction Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IP9TaFDe7qk?si=qSzWLe6AaxbHaZTf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1.    Stay In Your Lane\u003cbr\u003e2.    Wonder\u003cbr\u003e3.    Site Unseen (featuring Waxahatchee)\u003cbr\u003e4.    Mostly Patient\u003cbr\u003e5.    One Thing At A time\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e6.    Mantis\u003cbr\u003e7.    Sugar Plum\u003cbr\u003e8.    Same\u003cbr\u003e9.    Great Advice\u003cbr\u003e10.    Another Beautiful Day\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Courtney Barnett","offers":[{"title":"LP-'Another Blue Day' Caramel","offer_id":56243640369538,"sku":"27\/03\/26-DISUNI","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":56243668746626,"sku":"27\/03\/26-DISUNI","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56243670221186,"sku":"27\/03\/26-DISUNI","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/1_-_2026-01-20T110017.996.jpg?v=1768907327"},{"product_id":"the-new-pornographers-the-former-site-of","title":"The Former Site Of","description":"\u003cp\u003eA woman is trapped on a cruise ship. A preacher decides to go down with his town. A man at the florist finds himself lost in the meaning of the arrangement. These and other people at personal and societal extremes are the subjects of ten timely, timeless short stories collected as meticulously crafted pop songs by The New Pornographers on their forthcoming album, \u003cem\u003eThe Former Site Of\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe album, like \u003cem\u003eContinue as a Guest\u003c\/em\u003e, finds The New Pornographers — bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins, and Todd Fancey — expanding their already rich catalog in surprising fashion. Joined by legendary session drummer Charley Drayton (Divinyls, Keith Richards, Fiona Apple), the space contained in a New Pornographers' song has never been this clearly articulated or generously textured, giving a distinct pulse to the characters whose lives spill out in Newman’s tender, evocative lyrics.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Former Site Of\u003c\/em\u003e adds new depth to the sound Newman shook loose through\u003cbr\u003ebuilding and recording in a home studio, fine-tuning the band’s creative process far beyond the lockdown-era necessities of remote collaboration. “Having time in my studio really opened things up,” he explains. “I can get the skeleton of a song together first — just a couple of elements, the key feeling, really as little as possible — before bringing it to the band and running from there.”\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003eMRG879LP-C1\u003c\/span\u003e\u003cbr\u003eLabel: Merge Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4-U0U4zTj3g?si=XBpJty2pc2aLzXyZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. Great Princess Story\u003cbr\u003e2. Pure Sticker Shock\u003cbr\u003e3. Ballad of the Last Payphone\u003cbr\u003e4. Spooky Action\u003cbr\u003e5. Wish You Could See Me I’m Killing It\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e6. Votive\u003cbr\u003e7. The Wine Remembers the Water\u003cbr\u003e8. Calligraphy\u003cbr\u003e9. Bonus Mai Tais\u003cbr\u003e10. The Former Site Of\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The New Pornographers","offers":[{"title":"LP-Orange \u0026 Red Marble","offer_id":56249988186498,"sku":"27\/03\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"LP-Black","offer_id":56250010501506,"sku":"27\/03\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56250010796418,"sku":"27\/03\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/The_New_Pornographers_-_The_Former_Site_Of.jpg?v=1769009834"},{"product_id":"dermot-kennedy-the-weight-of-the-woods","title":"The Weight Of The Woods","description":"\u003cp\u003eDermot Kennedy returns with his 3rd studio album, \u003cem\u003eThe Weight of the Woods\u003c\/em\u003e released via Island Records on 27th March 2026, produced by Gabe Simon (Noah Kahan, Lana Del Rey).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAvailable on l\u003cspan data-olk-copy-source=\"MessageBody\"\u003eimited edition 2LP transparent green 140g vinyl, housed in a double gatefold jacket, and printed inner sleeves including lyrics plus bonus tracks ‘Black Water’, ' Happiness’ and ‘Deserve’. Also available as \u003c\/span\u003e140g recycled black vinyl, housed in a gatefold jacket and printed inner sleeve including lyrics. CD is packed in a 4 panel digi-sleeve with a 16- page lyric booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003e8809760\u003c\/span\u003e\u003cbr\u003eLabel: Island\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JzOUJZPky6o?si=I88TRPxT4nbDZC6Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e01. The Weight of the Woods (Reprise)\u003cbr\u003e02. Honest\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e03. Refuge\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e04. Funeral\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e05. Endless\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e06. Sycamore\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e07. Often, Lately\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e08. Turnstile\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e09. Wasted\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e10. Blue Eyes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e11. Trepidation\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e12. The Only Time I Prayed\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e13. 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Thank You for Sending Me an Angel (Live at Max's Kansas City, New York, NY, 10\/9\/76)\u003cbr\u003e36. With Our Love (Live at Max's Kansas City, New York, NY, 10\/9\/76)\u003cbr\u003e37. Pablo Picasso (Live at Max's Kansas City, New York, NY, 10\/9\/76)\u003cbr\u003e38. I'm Not in Love (Live at Max's Kansas City, New York, NY, 10\/9\/76)\u003cbr\u003e39. No Compassion (Live at the Jabberwocky Club, Syracuse, NY, 1\/26\/77)\u003cbr\u003e40. New Feeling (Live at the Jabberwocky Club, Syracuse, NY, 1\/26\/77)\u003cbr\u003e41. Psycho Killer (Live at the Jabberwocky Club, Syracuse, NY, 1\/26\/77)\u003cbr\u003e42. A Clean Break (Let's Work) [Live at the Jabberwocky Club, Syracuse, NY, 1\/26\/77]\u003cbr\u003e43. Sugar on My Tongue (Live at the Jabberwocky Club, Syracuse, NY, 1\/26\/77)\u003cbr\u003e44. I Wish You Wouldn't Say That (Live at the Lower Manhattan Ocean Club, New York, NY, 8\/17\/76)\u003cbr\u003e45. Take Me to the River (Live at the Lower Manhattan Ocean Club, New York, NY, 8\/17\/76)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Talking Heads","offers":[{"title":"LP-Black + 7\"","offer_id":56254812029314,"sku":"13\/03\/26-DISWAR","price":31.0,"currency_code":"GBP","in_stock":false},{"title":"3CD","offer_id":56254840930690,"sku":"13\/03\/26-DISWAR","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/unnamed-73.jpg?v=1769089256"},{"product_id":"raye-this-music-may-contain-hope","title":"THIS MUSIC MAY CONTAIN HOPE.","description":"\u003cp\u003eFour-time GRAMMY Award-nominated global superstar RAYE, is releasing her highly anticipated sophomore album THIS MUSIC MAY CONTAIN HOPE. The album, set in 4 “seasons” with each side of the vinyl being a different season, takes listeners on a sonic journey that begins with darkness and ends with light.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Music is medicine. I’ve always said that, and I guess I’m in the process of making medicine for myself that I can share with the world. I want us all to say to ourselves that it’s going to be all right, and I’m going to have faith in the seeds that I’ve planted beneath the snow. 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Now available on black vinyl.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 8819489\u003cbr\u003eLabel: UMR\/Polydor\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A:\u003cbr\u003e1. Orchestral Manoeuvres In The Dark - If You Leave\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Suzanne Vega, Joe Jackson - Left Of Center\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Jesse Johnson - Get To Know Ya\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. INXS - Do Wot You Do\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. The Psychedelic Furs - Pretty In Pink\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSide B\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1. New Order - Shell Shock\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Belouis Some - Round, Round\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. Danny Hutton Hitters - Wouldn’t It Be Good\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Echo \u0026amp; The Bunnymen - Bring On The Dancing Horses\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. The Smiths - Please Please Please Let Me Get What I Want\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Various Artists","offers":[{"title":"LP-Black","offer_id":56266413506946,"sku":"13\/03\/26-DISUNI","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/PrettyInPink-LP-FC.jpg?v=1769251626"},{"product_id":"adult-kissing-luck-goodbye","title":"Kissing Luck Goodbye","description":"\u003cp\u003eADULT. is not cooperating. For over 25 years, the dystopian Detroit synth-punk institution founded by Nicola Kuperus and Adam Lee Miller has embodied steadfast frustration, distrust, and apprehension. One might expect the edges to soften with time, but ADULT. is not interested in the comforts of legacy. The duo’s music has never sounded as visceral, urgent, and downright angry as it does on the culminating, uncompromising \u003cem\u003eKissing Luck Goodbye\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eBuilt with upgraded gear and a new library of sounds, the material is crushingly dynamic—louder yet clearer—with Kuperus’ commanding delivery given greater prominence in the mix, outlining an arsenal of vivid, caustic calls, chants, and musings. Laughter, whether in the lyrics or as a possessed presence, serves as a leitmotif that speaks to the menacing absurdity of modern times.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: DAIS248LP\u003cbr\u003eLabel: DAIS\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TJkGteQrSsw?si=IZgP3ADGCttV89o2\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Affordable\u003cbr\u003e2. Wishing Luck Goodbye\u003cbr\u003e3. R U 4 $ALE\u003cbr\u003e4. No\u003cbr\u003e5. One is Coming\u003cbr\u003e6. No Song\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e7. Freaks\u003cbr\u003e8. None of It's Fun\u003cbr\u003e9. Human(e) Volume\u003cbr\u003e10. So Unpleasant\u003cbr\u003e11. Destroyers\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ADULT.","offers":[{"title":"LP-Black","offer_id":56281254265218,"sku":"27\/03\/26-DISROM","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56281294602626,"sku":"27\/03\/26-DISROM","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/aedb4a94-d357-570f-7164-905dcaf611b0.jpg?v=1769605735"},{"product_id":"the-pale-white-inanimate-objects-of-the-21st-century","title":"Inanimate Objects Of The 21st Century","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eWith their third album, \u003cem\u003eInanimate Objects of the 21st Century\u003c\/em\u003e, Newcastle’s The Pale White prove once again that there’s no slowing them down. Following the success of their introspective sophomore album \u003cem\u003eThe Big Sad\u003c\/em\u003e, brothers Adam (vocals\/guitar) and Jack Hope (drums) return louder, sharper, and more defiant than ever. This third full-length is their most expansive yet: a record that blends the anthemic punch of classic rock with the urgency and edge of modern alternative. The title is a nudge to the uncomfortable irony of our time – as technology accelerates, humanity feels increasingly frozen in place. Lead singer Adam Hope says: “Technology is moving, but we are not. Human civilization entered the 21st century wide-eyed and naive with mobile phones that would barely fit in our pockets. Fast forward a few decades and we’re so far from where we were that it almost looks like a bad 80’s sci-fi movie. Back then, that film would be watched in packed-out cinemas after an eagerly anticipated release, but now they stand emptier than they once were, attended mainly as a nostalgic experience in the age of Netflix and doomscrolling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe birth of AI, algorithms, cryptocurrency, drones, holographic concerts, autonomous cars… we’re living in a strange transitional period which is both fascinating and terrifying in equal measure. We humans have now in fact become the inanimate objects - mannequins. 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Two decades in, now certified silver, and still a breath-taking piece of work, dense with extraordinary melodic moments, spine-tingling atmospherics and agile but crushing heaviness, and one that saw the Swedish metallers kick open prog’s ornate doors, fed death metal through the cosmic kaleidoscope and introduced a generation of music nerds to a world of limitless musical possibilities.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: 19958411441\u003cbr\u003eLabel: Music For Nations\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eA\u003cbr\u003e1. The Leper Affinity\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Bleak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eB\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. 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Steve had just finished building the magnificent A room at Electrical and Damon insisted we would record there for the drums. He never budged on it. As soon as we got there we realized all the songs, which were written in stacks of overdubs on our pedals, would only allow for mono guitar recordings. We worked around this by performing the songs to a single loop and overdubbing all the guitars later allowing for a full stereo field to match the glorious bombast of Steve’s drum recordings. This approach dramatically changed how we played. While it allowed for magic moments of improv (Peter Criss intro), once the album was done, it sounded bloated and the performances sluggish. With increasing certainty I was sure the sound of the Akai Headrush, and the tempos it set for Damon was the heartbeat of these songs. Ian agreed.\u003cbr\u003e\u003cbr\u003eIn an audacious last ditch hail mary, I had the idea to call Greg Norman (who worked for Steve!) and asked if we could secretly come to his studio in S. Chicago *road hot* after our next shows and re-record the album LIVE. It was an enormous gesture that could’ve never worked, but miraculously everyone agreed to do it and we gave it a try. Greg captured us at our most fiery hot personally and professionally. The tempos are faster and no one is holding back with anything to lose. These true live tapes show the songs exactly as we played them on the road where they were developed between June of 1999 and July of 2000. Now, 25 years later, the Greg Norman tapes have been dusted off, baked, and transferred to digital. 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The 20 songs on this release include the original album plus a selection of bonus tracks curated especially for this release by Tim Burgess. The album has been newly remastered by Frank Arkwright at Abbey Road and will be pressed on double white vinyl with a printed inner gatefold sleeve. \u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: BBQ2700LP\u003cbr\u003eLabel: Beggars Banquet\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e(w\/notes by Tim Burgess)\u003cbr\u003eA1. You're Not Very Well\u003cbr\u003eA2. White Shirt\u003cbr\u003e“\u003cem\u003eI was listening to Ballad Of The Band by Felt - I wanted a song with that kind of feel to it\u003c\/em\u003e”\u003cbr\u003eA3. The Only One I Know\u003cbr\u003e“\u003cem\u003eIt’s a song about teenage feelings: I was 21 or 22, but had those powerful emotions. I was a big Byrds fan so the line “Everyone’s been burned before, everyone knows the pain” is a nod to their song “Everybody’s Been Burned”. I was ecstatic when the Byrds’ Roger McGuinn said he loved us. It’s an unusual song construction. I’m still not sure which bit is the chorus. The title and main hook is in the verse, but the intro – before the main song crashes in – gives people just enough time to get on the dancefloor\u003c\/em\u003e.”\u003cbr\u003eA4. Opportunity\u003cbr\u003eA5. Then\u003cbr\u003eA6. 109 Pt.2\u003cbr\u003e“\u003cem\u003eWe had an instrumental 109 that we began our live set with (from the very beginning) This was an update - a chance to remix and recreate. I played the synth and worked the night shift with Chris Nagle after everyone had gone to bed. The voice you can hear is Robert De Niro - playing the devil in Angel Heart. We wrote to him to ask his permission to use it. We were knocked out when he said yes. 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With Brian May and Roger Taylor as executive producers, the album has been stunningly mixed by the team of Justin Shirley-Smith, Joshua J Macrae and Kris Fredriksson.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollector's Edition Boxset\u003c\/strong\u003e\u003cbr\u003eThe 5CD+2LP\u003cem\u003e Queen II Collector’s Edition\u003c\/em\u003e box set features the 2026 mix of the album, plus intimate fly-on-the-wall audio of Queen in the recording studio, previously unheard outtakes and demos, live tracks and radio sessions. The \u003cem\u003eQueen II Collector’s Edition\u003c\/em\u003e box set also comes with a 112-page book featuring previously unseen photographs, handwritten lyrics, diary entries, and special memorabilia, as well as memories of writing and recording the album from the band members.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eCat: 7843852\u003cbr\u003e\u003c\/span\u003eLabel: EMI\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLP \/ CD:\u003cbr\u003e\u003c\/strong\u003e1. Procession\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2. Father To Son\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e3. White Queen (As It Began)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e4. Some Day One Day\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e5. 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Ogre Battle\u003cbr\u003e7. The Fairy Feller's Master-Stroke\u003cbr\u003e8. Nevermore\u003cbr\u003e9. The March of the Black Queen\u003cbr\u003e10. Funny How Love Is\u003cbr\u003e11. Seven Seas Of Rhye\u003c\/p\u003e\n\u003cp\u003eCD2: Queen II – Sessions\u003cbr\u003e1. Procession (Stage Intro Tape - April 1973)\u003cbr\u003e2. Father To Son (Takes 4 \u0026amp; 9 - with Guide Vocal)\u003cbr\u003e3. As It Began (Brian's Studio Demo - October 1969)\u003cbr\u003e4. Some Day One Day (Take 1 - with Guide Vocals)\u003cbr\u003e5. The Loser In The End (Roger's First Demo)\u003cbr\u003e6. The Loser In The End (Roger's Second Demo)\u003cbr\u003e7. Ogre Battle (Takes 2 \u0026amp; 6 - with Guide Vocal)\u003cbr\u003e8. The Fairy Feller's Master-Stroke (Takes 4 \u0026amp; 9)\u003cbr\u003e9. Nevermore (Take 6)\u003cbr\u003e10. The March Of The Black Queen (First Section Takes 3 \u0026amp; 5)\u003cbr\u003e11. The March Of The Black Queen (Second Section Take 1)\u003cbr\u003e12. Funny How Love Is (Take 4)\u003cbr\u003e13. Seven Seas Of Rhye (Takes 4, 5 \u0026amp; 6)\u003cbr\u003e14. I Do Like To Be Beside The Seaside (Take 4)\u003cbr\u003e15. See What A Fool I've Been (B-side Version 2026 Mix)\u003cbr\u003e16. Not For Sale (Polar Bear)\u003c\/p\u003e\n\u003cp\u003eCD3: Queen II - Backing Tracks\u003cbr\u003e1. Procession\u003cbr\u003e2. Father To Son\u003cbr\u003e3. White Queen (As It Began)\u003cbr\u003e4. Some Day One Day\u003cbr\u003e5. The Loser in the End\u003cbr\u003e6. Ogre Battle\u003cbr\u003e7. The Fairy Feller's Master-Stroke\u003cbr\u003e8. Nevermore\u003cbr\u003e9. The March of the Black Queen\u003cbr\u003e10. Funny How Love Is\u003cbr\u003e11. Seven Seas Of Rhye\u003c\/p\u003e\n\u003cp\u003eCD4: Queen II - At The BBC\u003cbr\u003e1. See What a Fool I've Been (BBC Session 2 - July 1973 - 2011 Mix)\u003cbr\u003e2. Ogre Battle (BBC Session 3 - December 1973)\u003cbr\u003e3. Nevermore (BBC Session 4 - April 1974)\u003cbr\u003e4. 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Billboard rates four out of five and Kerrang! gave the album four K’s out of five. The album won Golden God Awards for Best Drummer, Best Guitarist, and Album of the Year. Nominated for Kerrang! Awards Best Album and Single (Nightmare) \u0026amp; Revolver Magazine’s Song of the Year 2011 for Buried Alive.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: HR7562-1\u003cbr\u003eLabel: Hopeless\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Nightmare\u003cbr\u003e2. Welcome to the Family\u003cbr\u003e3. Danger Line\u003cbr\u003e4. Buried Alive\u003cbr\u003e5. Natural Born Killer\u003cbr\u003e6. So Far Away\u003cbr\u003e7. God Hates Us\u003cbr\u003e8. Victim\u003cbr\u003e9. Tonight the World Dies\u003cbr\u003e10. Fiction\u003cbr\u003e11. 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That journey now leads to his most singular solo album to date, \u003cem\u003eLovely Night of Terror\u003c\/em\u003e, written and recorded at his La Sierra Casa studio in rural Spain.\u003c\/p\u003e\n\u003cp\u003eCreated during an intense period of isolation and creative focus, the album is also shaped by a strong sense of collaboration, featuring contributions from Jamie Webster, The Lottery Winners, Pete Doherty and Justin Hawkins.\u003c\/p\u003e\n\u003cp\u003eBalancing dark lyrical themes with uplifting melodies, \u003cem\u003eLovely Night of Terror\u003c\/em\u003e reflects Falconer’s love of emotional contrast, finding joy in melancholy and light in the chaos.\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: MSK05LPR\u003cbr\u003eLabel: Run On Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/raw8mG-EdP4?si=nqfkn9Vbb6SM3Edo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. 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One being a darker, dissonant take on a jazz flavoured half-step.\"\u003cbr\u003e\u003cbr\u003eThe release also features two mixes by Anz; \"Anz is a real producer’s producer with a broad range and felt like the perfect remixer.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: ACRE100\u003cbr\u003eLabel: Black Acre\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bVP5zR5-tp0?si=mbregHDJ6tJz3EEt\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. Deep Harbour\u003cbr\u003e2. Deep Harbour (Misty Bay Mix)\u003cbr\u003e3. Deep Harbour (Anz Safe Place Mix)\u003cbr\u003e4. 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Featuring Nathan Nicholson’s distinctive vocals and the band’s dynamic soundscapes, the album combines raw energy with refined production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: March 2026\u003cbr\u003eCat: TBR33VL\u003cbr\u003eLabel: Absentee Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZtYqAoCR5KU?si=XVTQOQG1UVAwmXmI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. Flowers In The Water\u003cbr\u003e2. Last Of A Dying Breed\u003cbr\u003e3. Hidden Meanings\u003cbr\u003e4. This House\u003cbr\u003e5. Storm Chaser\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e6. Satellite Above\u003cbr\u003e7. Don't Leave Yet\u003cbr\u003e8. Perception\u003cbr\u003e9. Second Guess\u003cbr\u003e10. 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