{"title":"October 2026","description":"","products":[{"product_id":"car-seat-headrest-teen-of-denial-joes-story","title":"Teen of Denial: Joe's Story","description":"\u003cp\u003e\u003cem\u003eTeen of Denial: Joe’s Story\u003c\/em\u003e is a freshly reimagined take on Car Seat Headrest’s beloved breakout, \u003cem\u003eTeens of Denial\u003c\/em\u003e, now celebrating its 10th anniversary.\u003cbr\u003e\u003cbr\u003eOn the original album, Toledo often used the name “Joe” as a pseudonym – a sly homage to Daniel Johnston. Revisiting \u003cem\u003eTeens \u003c\/em\u003ein the run-up to its 10th birthday, he felt called to give Joe a unique backstory and began tweaking the album to tell that tale. The group returned to the studio with \u003cem\u003eTeens \u003c\/em\u003eproducer Steve Fisk to update accordingly – tweaking lyrics, revising arrangements, and recording new songs in the “Denial-style,” including ‘Optimistic Son” and the anthemic ‘Joe Drives Again’. The result retains\u003cem\u003e Teens\u003c\/em\u003e’ dark edge and youthful cynicism, but allows a bit of hard-won compassion into the mix.\u003cbr\u003e\u003cbr\u003eFrom Will Toledo: \u003cbr\u003e\u003cem\u003e\"Sometime last year, it was suggested to me that we do something for the ten-year anniversary of ‘Teens of Denial,’ so I started looking back on the album to see what we might do. In spite of some of its songs being a regular part of my life for the past decade, it wasn’t a record I’d thought much about as a whole since it came out. Most of the songs I’d come up with over a two-year period at the end of my college days, when I was struggling a lot with cynicism and misplaced aggression. But by the time the songs were done, I was living in Washington, Car Seat Headrest was a full band with a record label, and in spite of the turmoil of the writing process, the final album was pretty enjoyable for everyone to work on.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis time, looking back at the songs, I started to feel like there was a story being told through the album, though I’d never imagined it as being a narrative work. On ‘Hi, How Are You?’ Daniel Johnston had used the name “Joe” in the titles of a few tracks –“No More Pushing Joe Around,” “Keep Punching Joe” – as a sort of joke, a stand-in for himself. I borrowed the idea, and the name, for titling songs on ‘Denial.’ This time, I started thinking - who is Joe? And how do the songs, in the way they’re sequenced on the album, reflect what he’s going through? As I started asking this question, a story emerged with startling wholeness and clarity, like finding the foundations of an ancient city while digging in my backyard. As I kept digging, certain songs from the original album fell by the wayside, as they seemed misplaced in this new context; others asked for new lyrics, to fully give birth to the story contained in the music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe resulting work feels more like the album ‘Teens of Denial’ was meant to be. When you’re writing from a dark space, it’s hard to have perspective on where you’re at. This time, I could pull from memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems. Telling his story, and not just my own impressions of life at the end of the teen years, brought a new level of compassion and wholeness to the album. It gave us the opportunity to write new material in “Denial style”, embracing a snappy and simple(ish) rock aesthetic, and in an additional blessing, we were able to team up once with Steve Fisk, a joy and inspiration to get back into the studio with after ten years. We mixed the material at his house in Tacoma, and were constantly amazed at the lack of divide between past and present, as we’d punch in vocal overdubs ten years later into the same gear, hearing my voice now running alongside a 2015 Will. For someone coming across this album or this band for the first time, this is how they’d hear the record, not as a relic of the past but as a new piece. It was immensely rewarding to experience that on our side.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor anyone familiar with ‘Teens,’ comparisons with the original will be inevitable, but I do hope that as much as possible, people can come to this album on its own terms, approaching it as a teen, hearing the music and story for the first time. I believe music is an ongoing story, and albums don’t always do justice to its dynamic, ongoing nature. What gives it life is the new ears that hear it, and the new hearts that engage with it. I’m so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We’ve known that “it doesn’t have to be like this”; now we can wonder - “what it if were like this?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: OLE2247LP\u003cbr\u003eLabel: Matador\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ARndKOfSEUQ?si=00qAedeAtdWKZmbv\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Fill In The Blank\u003cbr\u003e2. Vincent\u003cbr\u003e3. Destroyed By Hippie Powers\u003cbr\u003e4. (Joe Gets Kicked Out of School For Using) Drugs With Friends (But Says This Isn't A Problem)\u003cbr\u003e5. Optimistic Son\u003cbr\u003e6. Drunk Drivers\/Killer Whales\u003cbr\u003e7. 1937 State Park\u003cbr\u003e8. Joe Drives Again\u003cbr\u003e9. Cosmic Hero\u003cbr\u003e10. The Ravenous House\u003cbr\u003e11. Connect the Dots (Song of Secretariat)\u003cbr\u003e12. Joe Goes to School\u003c\/p\u003e","brand":"Car Seat Headrest","offers":[{"title":"2LP-Black","offer_id":56660727923074,"sku":"16\/10\/26-DISCAR","price":31.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56660745552258,"sku":"16\/10\/26-DISCAR","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/CarSeatHeadrest-Teenofdenial_1.jpg?v=1779283572"},{"product_id":"way-dynamic-massive-shoe","title":"Massive Shoe","description":"\u003cp\u003eWay Dynamic, the solo project of Melbourne’s Dylan Young, releases internationally \u003cem\u003eMassive Shoe\u003c\/em\u003e – a third album that’s playful and understated, luminous and textured. \u003cem\u003eMassive Shoe \u003c\/em\u003eis minimalist folk-pop, art rock and baroque pop, produced and largely played by Young, who moonlights in Melbourne’s beloved Cool Sounds and Good Morning and has played drums with Snowy Band and Kankawa Nagarra.\u003c\/p\u003e\n\u003cp\u003eIt’s tempting to only compare these songs to those of yesteryear – Young’s falsetto, his ear for harmonies and the intricate arrangements all feel timeless. But there’s a sensibility, a turn of phrase, that feels deeply contemporary: it’s telling that Waxahatchee’s Katie Crutchfield described “Miffed It” as her “favourite song in a VERY long time”, and Katie, MJ Lenderman, This is Lorelei and Black Country, New Road have all taken Way Dynamic on tour, while Sir Elton John said that he “just cannot stop listening” to “Ibiza”. Young’s songs don’t shy away from sentiment, or equally from silliness: on any given song he might suggest a flight to space or earnestly lament a miscommunication. “Can we walk and talk as well?” he asks on “I Was the Dancer”, and we rush to accept the invitation.\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: JAG503LP-C1\u003cbr\u003eLabel: Jagjaguwar\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qzHkZASXrYA?si=zptB-qY2m1hLLpU7\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. People Settle Down\u003cbr\u003e2. I Was The Dancer\u003cbr\u003e3. In Review\u003cbr\u003e4. Miffed It\u003cbr\u003e5. Mercy Town\u003cbr\u003e6. My Visit (To Hell)\u003cbr\u003e7. The Others\u003cbr\u003e8. Hurricane\u003cbr\u003e9. Ibiza\u003cbr\u003e10. They Said\u003cbr\u003e11. Evening Star\u003cbr\u003e\u003cbr\u003eBonus:\u003cbr\u003e12. Officially\u003c\/p\u003e","brand":"Way Dynamic","offers":[{"title":"LP-Silver Opaque","offer_id":56687300084098,"sku":"02\/10\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56687312929154,"sku":"02\/10\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/WayDynamic-MassiveShoe.jpg?v=1780483012"},{"product_id":"meryl-streek-songs-they-dont-teach-you-at-school","title":"Songs They Don't Teach You At School","description":"\u003cp\u003eMuch like a teacher, Meryl Streek imparts his knowledge and lived experiences to all who are willing to listen.  His third album, \u003cem\u003eStories They Don’t Teach You At School\u003c\/em\u003e, serves as an alternative form of education, delivered through a visceral blend of factual soundbites and raw emotion, loops and samples, guitars and bass. The lyrics resonate with core values of compassion, resilience, and community — themes rarely explored within a classroom setting or seen in today's fragmented society. By prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and beyond.\u003c\/p\u003e\n\u003cp\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003c\/p\u003e\n\u003cp\u003eAs is tradition with any Meryl Streek record, \u003cem\u003eStories They Don’t Teach You At School\u003c\/em\u003e unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. As the album progresses, the mission remains absolute: to provide a voice for the voiceless.\u003cbr\u003e\u003cbr\u003eTo amplify these narratives, Meryl Streek handpicked a diverse group of collaborators for the project. ‘Rotten Fruit’ features Steve Ignorant of anarcho-punk collective CRASS. ‘Depression’ opens with a touching recording of the late Liam Norton, close friend and former touring companion, while Pete Holidai of The Radiators From Space contributes guitars on the song. Comedian Phill Jupitus provides the spoken outro for ‘The Chancer'. ‘Housing For All’ incorporates audio from Derelict Ireland campaigners Frank O’Connor and Jude Sherry. Venn Records owner and Gallows guitarist Laurent ‘Lags’ Barnard joins forces with Adebisi Shank bassist Vinny McCreith on the aggressive ‘Bullet,’ while Sophie Porter of Other Half provides bass guitar for ‘Life is Not a Rehearsal’. The album concludes with a three-minute spoken word piece by Frankie McNamara, the viral creator behind ‘Meditations for the Anxious Mind’.\u003c\/p\u003e\n\u003cp\u003eIn her 1990 protest anthem “Black Boys on Mopeds,” the late Sinead O’Connor warned, “To say what you feel is to dig your own grave”. With this release, Meryl Streek firmly holds the shovel.\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: \u003cspan data-olk-copy-source=\"MessageBody\"\u003eVENN090\u003c\/span\u003e\u003cbr\u003eLabel: Venn Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jrXucLtefkg?si=Cdt1J-nb2Wk8vpAf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Welcome\u003cbr\u003e2. Rotten Fruit\u003cbr\u003e3. Rags To Riches\u003cbr\u003e4. Council Estates\u003cbr\u003e5. Depression\u003cbr\u003e6. Kelly\u003cbr\u003e7. Be The Hammer\u003cbr\u003e8. The Chancer\u003cbr\u003e9. Housing For All\u003cbr\u003e10. Bullet\u003cbr\u003e11. Life Is Not A Rehearsal\u003cbr\u003e12. Frankie's Theme\u003c\/p\u003e","brand":"Meryl Streek","offers":[{"title":"LP-Pink Marble","offer_id":56687424340354,"sku":"09\/10\/26-DISCAR","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56687432335746,"sku":"09\/10\/26-DISCAR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/MerylStreek-StoriesTheyDon_tTeachYouAtSchoolArtwork.jpg?v=1780487085"},{"product_id":"wishy-natures-pill","title":"Nature's Pill","description":"Wishy’s Nature’s Pill captures a world where life feels unpredictable and overwhelming, yet full of possibility. On their vibrant sophomore record, Wishy entertains the madness–capturing romantic frustration, neurotic desire and the melodrama that ensues from simply being human in a jubilant remix of the past. Nature’s Pill bears all of Wishy’s trademarks: zany lyrics transfiguring melancholia into freedom, choruses set to become instant classics, and an unholy fusion of sugary grunge, indie rock and dream-pop. Wishy’s genesis has been a prolific burst powered by the band’s musical synergy: the Mana and Paradise EPs in 2023, debut LP Triple Seven in 2024, and a follow-up EP Planet Popstar in 2025. After those releases met acclaim and the band’s stature rose, the conception of Nature’s Pill was fundamentally different. Written more collaboratively than past releases, the group reconvened with Triple Seven co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the ‘90s dream-pop and alt-rock of Triple Seven fusing with ‘80s college rock and ‘00s indie.\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: WSP080\u003cbr\u003eLabel: Winspear\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/q_WXgLn8sVw?si=EczfvEQ8HkTGfqHU\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eA side\u003cbr\u003e01. All The Rage\u003cbr\u003e02. Covergirl\u003cbr\u003e03. Sensational\u003cbr\u003e04. Shift\u003cbr\u003e05. You’re Not Serious\u003cbr\u003e06. Mona Lisa\u003cbr\u003eB side\u003cbr\u003e07. Lovesick\u003cbr\u003e08. Freak 99\u003cbr\u003e09. Headscratcher\u003cbr\u003e10. Blitz\u003cbr\u003e11. Kiss Kiss Kiss\u003cbr\u003e12. Party World\u003c\/p\u003e","brand":"Wishy","offers":[{"title":"LP-\"Devil's Blush Pink\"","offer_id":56698898416002,"sku":"02\/10\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"LP-Black","offer_id":56698903789954,"sku":"02\/10\/26-DISCAR","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56698905788802,"sku":"02\/10\/26-DISCAR","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/WISHY-Naturespill.jpg?v=1781014546"},{"product_id":"mitski-puberty-2-10th-anniversary-edition","title":"Puberty 2 (10th Anniversary Edition)","description":"\u003cp\u003eAsk Mitski Miyawaki about happiness and she'll warn you: “Happiness fucks you.” It's a lesson that's been writ large into her gritty, outsider songwriting for years, but never so powerfully as on her 2016 album, \u003cem\u003ePuberty 2\u003c\/em\u003e. “Happiness is up, sadness is down, but one's almost more destructive than the other,” she says. “When you realize you can't have one without the other, it's possible to spend periods of happiness just waiting for that other wave.” On\u003cem\u003e Puberty 2\u003c\/em\u003e, that tension is palpable: a beautiful and brutal romantic hinterland, in which one of modern music’s defining voices came fully into focus.\u003c\/p\u003e\n\u003cp\u003e2026 marks the ten-year anniversary of that landmark album, whose tracklist contains fan favorites “Your Best American Girl” and “I Bet on Losing Dogs.” To celebrate the occasion, Mitski and Dead Oceans will release a limited-edition reissue of Puberty 2 on Forest Shadow vinyl, due for release on October 30, 2026. \u003cem\u003ePuberty 2\u003c\/em\u003e will also be celebrated with a digital deluxe version, featuring bonus tracks from the original Japanese CD — longtime fan favorite covers of “Fireproof” by One Direction and “I’m a Fool to Want You” by Frank Sinatra.\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: DOC123LP-C6\u003cbr\u003eLabel: Dead Oceans\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/u_hDHm9MD0I?si=HSnfHWsVFGku3lob\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Happy\u003cbr\u003e2. Dan The Dancer\u003cbr\u003e3. Once More To See You\u003cbr\u003e4. Fireworks\u003cbr\u003e5. Your Best American Girl\u003cbr\u003e\u003cbr\u003eSIDE B:\u003cbr\u003e6. I Bet On Losing Dogs\u003cbr\u003e7. My Body’s Made Of Crushed Little Stars\u003cbr\u003e8. Thursday Girl\u003cbr\u003e9. A Loving Feeling\u003cbr\u003e10. Crack Baby\u003cbr\u003e11. A Burning Hill\u003c\/p\u003e","brand":"Mitski","offers":[{"title":"LP-'Forest Shadow'","offer_id":56701970416002,"sku":"30\/10\/26-DISCAR","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1795\/4365\/files\/mitski-puberty2.jpg?v=1781096919"},{"product_id":"chuck-strangers-glory-of-the-kings-hand","title":"Glory Of The King's Hand","description":"\u003cp\u003eOn Chuck Strangers’ latest opus,\u003cem\u003e Glory Of The King’s Hand\u003c\/em\u003e, he raps, “I still rap from the perspective of my government name…” The stage name “Chuck Strangers” is, of course, an alias but it’s not necessarily an alter ego. For the man born Che Jessamy, his rap moniker isn’t some over-the-top rock star persona contrived for public consumption, it’s just a name. What you hear on his records is really who he is - a heavy-tongued griot from East Flatbush, Brooklyn with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he’s gained in his lifetime - especially in the 14 years since he first made his debut with the Pro Era collective.\u003cbr\u003e\u003cbr\u003eThe elaborate title of his new album, \u003cem\u003eGlory Of The King’s Hand\u003c\/em\u003e, speaks to his gratitude for the hand that life’s dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That’s something to be thankful for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGlory Of The King’s Hand \u003c\/em\u003enot only represents Chuck’s matured attitude but also his matured sound. Key to this refined approach was collaboration. Chuck is a proficient beatmaker in his own right as evidenced by his production for himself and artists like Joey Bada$$ and Boldy James. But this time around Chuck chose to be a producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself. The list of contributing producers is a who’s who of underground sound scientists including The Alchemist, Animoss, Theravada, Kenny Segal, Preservation, Child Actor, and Morriarchi.\u003c\/p\u003e\n\u003cp\u003eAnd while\u003cem\u003e …King’s Hand\u003c\/em\u003e is in some ways a sample of what this section of the underground looks like in 2026, what Chuck brings to tion the table is uniquely Chuck Strangers. “I had to do my own thing!\" His resolve is in part due to the influence of his legendary mentors like the late Ka and The Alchemist who each carved out their own distinct lanes. “There’s a lot of Roc Marci’s, there’s a lot of Earl Sweatshirts and you’ve got many Alchemists out here, but I have to do my shirts own thing that might look a little different from everybody else’s shit … I can just be myself.”\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: LEX201LP\u003cbr\u003eLabel: Lex Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eSide A\u003cbr\u003eA1. Track 1 (prod. Theravada)\u003cbr\u003eA2. Intro (prod. Human Error Club)\u003cbr\u003eA3. Everyday feat. Obii Say (prod. Chuck Strangers)\u003cbr\u003eA4. Malcom (prod. Animoss)\u003cbr\u003eA5. Goodfind (prod. Morriarchi)\u003cbr\u003eA6. Miracle Miles feat. Obii Say (prod. Child Actor)\u003cbr\u003eA7. Solo (prod. Preservation)\u003cbr\u003eA8.Torn in Two (prod. The Alchemist)\u003cbr\u003eA9. Bomberman (prod. Kenny Segal)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eB1. Breaking Atoms feat. billy woods \u0026amp; Zeroh (prod. Human Error Club)\u003cbr\u003eB2. Rebeldia (prod. Preservation)\u003cbr\u003eB3. Class Pictures Reprise (prod. JUNIE)\u003cbr\u003eB4. L2LL2C (prod. Obii Say)\u003cbr\u003eB5. Ski'd Up Reprise (prod. Cam Beats)\u003cbr\u003eB6. Price is Right (prod. Animoss)\u003cbr\u003eB7. G Pack (prod. Morriarchi)\u003cbr\u003eB8. Outro (prod. 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But as the great philosopher of our times, Cookie Monster, once said: “Me no cry because cookie is finished. Me smile because cookie happened.”\u003c\/p\u003e\n\u003cp\u003eThis will all be forgotten. But isn’t it still a beautiful thing that it happened?”\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: EWORKS127LPX\u003cbr\u003eLabel: E Works \/ Play It Again Sam\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pZdk9sFjiw4?si=qonhdfkktcWnDGeD\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. Clobbered\u003cbr\u003e2. Cap In Hand\u003cbr\u003e3. All Forgotten\u003cbr\u003e4. Bamboozled Again\u003cbr\u003e5. Lost And Barking\u003cbr\u003e6. Taking Pictures\u003cbr\u003e7. New Story\u003cbr\u003e8. Congratulations To Me\u003cbr\u003e9. One Razzle, One Dazzle\u003cbr\u003e10. 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Since their chart-topping 2021 debut \u003cem\u003eW.L\u003c\/em\u003e., the band have consistently evolved, refusing to be defined by genre, both with their follow up LP, the politically angst driven \u003cem\u003eBurn the Empire\u003c\/em\u003e (2022) and in 2024, their energetic pop-driven \u003cem\u003eMillennials\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eTheir new record,\u003cem\u003e Joy In Short Moments\u003c\/em\u003e, pairs anthemic songwriting with honest themes of mental wellness, crisis, identity, growth and belonging after a succession of life changing events leading to their most personally raw and visceral songs to date.\u003c\/p\u003e\n\u003cp\u003eReleased: October 2026\u003cbr\u003eCat: HARSNUVLP3\u003cbr\u003eLabel: Happy Artist Records\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GugxzJQdT-o?si=EFO2gwZB9fnTkhEW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e1. 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