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Eno Williams, frontwoman of Ibibio Sound Machine, uses both English and the Nigerian language from which her band’s name is derived for the dazzlin...

The follow up to their critically acclaimed albums Drenge (2013) and Undertow (2015), as well as this year’s Autonomy EP, Strange Creatures include...

Recorded using mainly pre- 1980’s US & Soviet analogue synths and a collection of dusty old drum machines, they’re influenced by the likes of G...

A startling, thought-provoking record, Love Hates What You Become follows Lost Under Heaven’s 2016 debut, Spiritual Songs For Lovers To Sing. Shot ...

I’ve really been looking forward to this; Former Dandelion Adventure members Ajay Saggart and Mark Wavering thrashing out new material, creating Sh...

I saw Ben Drew t’other day plugging this new record on BBC Breakfast which is perhaps an unsettling sign of the Plan B times. I mean, this is still...

Gnod are absolutely fucking bone-crushing. I could leave it there, I really could. They are heavy in a way that isn’t born of indulgent try-hard li...

Another week in music, another success story of the New York City rock scene. Brothers Reid and Blaze Bateh, along with bassist William Brookshire,...

Drift is the seventh long-player from music’s most under-appreciated, The Men, which also happens to equate to a productive one album per year sinc...

Eucalyptus is the new studio album written and produced by Animal Collective’s Avey Tare. Recommended listening for dawn or dusk. An electroacousti...