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The Powers That B is the fourth studio album, and first double album, by Death Grips. The first disc's instrumentation was performed entirely on a ...

Is Willie J Healey your favourite artists’ favourite artist? You better believe it. Alex Turner, Joe Talbot of IDLES, Jamie T and Orlando Weeks are...

Treviso, Italy-based two piece Kill Your Boyfriend will release their fourth album 'Voodoo' on October 14th via Sister 9 Recordings (Europe), Littl...

Unwashed acid house and disco through a broken South London filter - from ‘70s New York bathhouses to ‘80s Chicago nightclubs via the Brixton Windm...

The WAEVE - composed of Graham Coxon and Rose Elinor Dougall – release their eponymous debut album, out 3rd February 2023 on Transgressive Records....

Criminal, The Soft Moon’s fourth studio album, is a confessional work. Through the stark lens of shame and guilt that has followed Luis Vasquez sin...

Kurt Wagner found himself in Minneapolis in the sweltering summer of 2021, in a decommissioned paint factory turned practicespace, when everybody w...

Norwegian artist and writer Jenny Hval has developed her distinct take on intimate sound and has received thoughtful and widespread international a...

On the surface, Freedom is a reflection on growing up, childhood friends who ended up in prison or worse, male identity, McMahon’s father, and his ...

The Chameleons (arguably the best band to come out of Manchester) with their critically acclaimed classic third album, Strange Times. Recorded on ...

Two years in the making Kosmik Musik is a collaboration between artist Joe Currie, writer Ben Wheatley and musical group Beak>, who worked clos...

Following their eponymous debut in 2007, Exploding Head is A Place To Bury Strangers’ most notable record, garnering the New York noise rock outfit...

The Wonder Years is a band. That descriptor both defines and understates the rock band that has released some of the most life-affirming, cultural...

Honeybee Table at the Butterfly Feast is the first album from the elusive Baltimore’s band Teen Suicide in years. For over a decade, guitarist, voc...

each album always starts with a feelingthat i try to shape into soundthis time aroundthe feeling was landing( after my last album utopia which was ...

Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Form...

Formidable psychic warriors, channelers of the mystic and proponents of a spiritual quest that transcends this realm, Goat remain a band shrouded i...

FKA twigs mixtape CAPRISONGS is finally available on vinyl, with a limited edition Glow in the Dark version. Features guest appearances from The We...

Every once in a while a record comes along that somehow manages to define an era. in the late 80's there can be no doubt that one such record was r...

Erland Cooper shares a new mesmerising ambient album to be listened to while growing your own flowers and plants. The Scottish modern classical / a...

They Were Wrong, So We Drowned is the new instalment from the Liars’ reissue series, where every two months an album from the back catalogue is bei...

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong con...

Formed in 2012 out of a mutual love of metallic hardcore but despair at its lack of ambition, Ithaca exist to challenge everything you thought abou...

The Comet is Coming returns with their second full length album on Impulse! Records. King Shabaka, Danalogue, and Betamax’s newest effort finds the...

1998: Tortoise’s third studio album ‘TNT’ is released. In and out of print over the past decade, Thrill Jockey are happy to finally give everyone w...

Deluxe vinyl reissue of ‘Oblivion Hunter’. This is the first time that all the art, as conceived by Brian Chippendale in 2012, is available. Availa...

Singer-songwriter A.A. Williams follows her LP of stripped-back lockdown covers, ‘Songs From Isolation’, with ‘Arco EP’, a reworking of her self- t...

When a handful of broadsheet music columns and reputable blog pages began to mention the vaguely familiar name Jane Weaver in the ‘Here’s One We Mi...