Indie

American Prometheus is an album described as a post-punk fusion with Motown or Northern Soul. If you’re not a Motown enthusiast, don’t let that put...

It must be dreadfully difficult for The Men to tie-down a consistent sort of fan base at this point, for every album they put out takes their legac...

All Or Nothing is the fourth album from skewed-indie faves Shopping. With the band these days split between Glasgow and LA, All Or Nothing was capt...

Slumb Party are an off-kilter indie-punk band from Nottingham, who play a sort of wobbly punk rock similar to Shopping or Roxy Girls. Spending Mone...

Mystic Familiar is an album from American electronic composer Dan Deacon. Since his last album proper, 2015’s Gliss Riffer, Deacon has cut his teet...

Mint Julep comprises married couple Hollie and Keith Kenniff and me thinks the Kenniff homestead may have been popping some Tame Impala on the mult...

English folk artist Bill Fay largely disappeared from music when his label hung him out to dry after poor sales of his album Time Of The Last Perse...

There Is No Year is the third album from Atlanta based alt-indie band Algiers. Known for their gospel-influenced sound and often politically charge...

Northern brothers David and Peter Brewis, better known as the core of Field Music, return with seventh studio album Making A New World. Never likel...

I don’t think Greg Gonzalez knows any emotion other than ‘morose’, does he? Crikey. Even for a dour bunch as us, Cigarettes After Sex make Radiohea...

2016’s You Know What It’s Like was a very well-received slice of breezy, downtempo songwriting, in the same vein as This Is The Kit or Jenny Hval. ...

Hot Motion is the third album from British psych-rockers Temples. On this outing, Temples sound keen to progress from the straight-up, fuzzed-out p...

The Drums released the critically acclaimed Abysmal Thoughts in 2017, marking the band’s first release as a solo project from Jonny Pierce.  Brutal...

On 22nd March 2019, Sleeper release their first album in 21 years, The Modern Age. It wasn’t meant to happen. In fact, the band had promised each o...

Whoosh may indeed be a silly word but it almost onomatopoeically captures the sound and essence of The Stroppies first proper debut album, one that...

The follow up to their critically acclaimed albums Drenge (2013) and Undertow (2015), as well as this year’s Autonomy EP, Strange Creatures include...

Recorded using mainly pre- 1980’s US & Soviet analogue synths and a collection of dusty old drum machines, they’re influenced by the likes of G...

A startling, thought-provoking record, Love Hates What You Become follows Lost Under Heaven’s 2016 debut, Spiritual Songs For Lovers To Sing. Shot ...

I’ve really been looking forward to this; Former Dandelion Adventure members Ajay Saggart and Mark Wavering thrashing out new material, creating Sh...