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Panic Shack

£24.00

Availability: This item is due in on July 18th

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If there's one thing Panic Shack know, it's how to have a good time. Comprised of Sarah Harvey (vocals), Meg Fretwell (guitar/backing vocals), Romi Lawrence (guitar/backing vocals), Em Smith (bass/backing vocals) and Nick Williams (drums), the band formed in 2018 as a middle-finger to the “members-only club” atmosphere of indie and punk scenes – not just because they’re male-dominated, but because they make playing music seem out of reach or, even worse, boring. 
  
To be released in July, Panic Shack’s self-titled debut album represents a serious level up. Linking up with producer Ali Chant (PJ Harvey, Perfume Genius, Yard Act), it finds the band expanding their gutsy punk sound into fuller territory, packed with vocal harmonies, synths, electronic experimentation, and even a trumpet at one point. 
 
Over 11 breakneck tracks, Panic Shack never lets up or loses momentum. It opens with the rising sound of chatter, glass clinking and laughter, most of which was recorded in the beer garden at an Amyl & the Sniffers gig. Fizzing with the anticipation of walking into a club at the start of a night out, it feels like party-punk’s answer to the intro of Spice Girls’ ‘Wannabe’. Across the album, the lyrics are conversational, often stemming from in-jokes, while the subject matter spans the full range of the feminine experience. Whether it’s everyday stuff like browsing Hinge (‘Unhinged’) and remembering everything you need to stick in your bag because your dress has no pockets (‘Pockets’), or broader societal issues like the impact of toxic tabloid culture on body image (‘Gok Wan’) and sexual harassment (‘SMELLARAT’), no topic is too frivolous or too vast. There’s no point-scoring or political commentary to be made here, though. The songs spring naturally from the way they live their lives, which is, more often than not, with a great deal of enjoyment. 

Released: July 2025
Cat: BYREC62LP
Label: Brace Yourself Records

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