Music City USA
by Thee Oh Sees
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Ten records in six years is some kind of prolific. The latest, a double album, suggests the artist has some songs worth paying attention to. He’s got a sound. He’s got something to say. He has a look. And there’s a gauzy veil of mystery surrounding him suggesting he knows more than he’s letting on.
All those records in such a short amount of time have come with a “No Two Alike” guarantee, particularly the last three releases: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo-country-western if you’d like. It’s true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.
All those records in such a short amount of time have come with a “No Two Alike” guarantee, particularly the last three releases: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo-country-western if you’d like. It’s true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.
Released: September 2021
Cat: SOD10
Label: Son Of Davy