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Mint Julep comprises married couple Hollie and Keith Kenniff and me thinks the Kenniff homestead may have been popping some Tame Impala on the mult...

English folk artist Bill Fay largely disappeared from music when his label hung him out to dry after poor sales of his album Time Of The Last Perse...

There Is No Year is the third album from Atlanta based alt-indie band Algiers. Known for their gospel-influenced sound and often politically charge...

Northern brothers David and Peter Brewis, better known as the core of Field Music, return with seventh studio album Making A New World. Never likel...

I don’t think Greg Gonzalez knows any emotion other than ‘morose’, does he? Crikey. Even for a dour bunch as us, Cigarettes After Sex make Radiohea...

The wonderfully named Petbrick is a duo comprising Wayne Adams of Big Lad and Iggor Cavalera of Sepultura. I is a scorching, off-the-wall experienc...

2016’s You Know What It’s Like was a very well-received slice of breezy, downtempo songwriting, in the same vein as This Is The Kit or Jenny Hval. ...

Hot Motion is the third album from British psych-rockers Temples. On this outing, Temples sound keen to progress from the straight-up, fuzzed-out p...

Preston’s 4 bassed behemoth Evil Blizzard follow up the tremendous success of last year’s The Worst Show On Earth album with the release of a doubl...

The Drums released the critically acclaimed Abysmal Thoughts in 2017, marking the band’s first release as a solo project from Jonny Pierce.  Brutal...

On 22nd March 2019, Sleeper release their first album in 21 years, The Modern Age. It wasn’t meant to happen. In fact, the band had promised each o...

Whoosh may indeed be a silly word but it almost onomatopoeically captures the sound and essence of The Stroppies first proper debut album, one that...

Eno Williams, frontwoman of Ibibio Sound Machine, uses both English and the Nigerian language from which her band’s name is derived for the dazzlin...

The follow up to their critically acclaimed albums Drenge (2013) and Undertow (2015), as well as this year’s Autonomy EP, Strange Creatures include...

Recorded using mainly pre- 1980’s US & Soviet analogue synths and a collection of dusty old drum machines, they’re influenced by the likes of G...

A startling, thought-provoking record, Love Hates What You Become follows Lost Under Heaven’s 2016 debut, Spiritual Songs For Lovers To Sing. Shot ...

I’ve really been looking forward to this; Former Dandelion Adventure members Ajay Saggart and Mark Wavering thrashing out new material, creating Sh...

I saw Ben Drew t’other day plugging this new record on BBC Breakfast which is perhaps an unsettling sign of the Plan B times. I mean, this is still...

Gnod are absolutely fucking bone-crushing. I could leave it there, I really could. They are heavy in a way that isn’t born of indulgent try-hard li...

Another week in music, another success story of the New York City rock scene. Brothers Reid and Blaze Bateh, along with bassist William Brookshire,...

Drift is the seventh long-player from music’s most under-appreciated, The Men, which also happens to equate to a productive one album per year sinc...